Maareesan Vathaip padalam

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8. Á¡Ã£ºý Ũ¾ô À¼Äõ

Á¡Ã£ºý þáŽý Åó¾ ¸¡Ã½ò¨¾ Å¢É×¾ø
1
þÕó¾ Á¡Ã£ºý «ó¾ þáŽý ±ö¾§Ä¡Îõ
¦À¡Õó¾¢Â ÀÂò¾ý º¢ó¨¾ ¦À¡ÕÓüÚ ¦ÅÕ׸¢ýÈ¡ý
¸Õó ¾¼ Á¨Ä «ýÉ¡¨É ±¾¢÷¦¸¡ñÎ ¸¼ý¸û ¡×õ
¾¢Õó¾¢Â ¦ºöÐ ¦ºùÅ¢ò ¾¢ÕÓ¸õ §¿¡ì¸¢î ¦ºôÒõ.

þáŽý «íÌ Åó¾Ðõ, Á¡Ã¢ºý «îºÓüÚ ÁÉõ ¾¢Î츢ðÎì ¸Äí¸¢É¡ý. ¸Ã¢Â ¦Àâ Á¨Ä §À¡ýÈ þáŽ¨É ±¾¢÷¦¸¡ñÎ ÅçÅüÚ, ¯ÀºÃ¢òÐ, «Æ¸¢Â «ÅÉÐ ¾¢ÕÓ¸ò¨¾ô À¡÷òÐ ÜÈÄ¡É¡ý.

2. ºó¾ ÁÄ÷ò¾ñ ¸üÀ¸ ¿£Æø ¾¨ÄÅüÌõ
«ó¾¸ ÛìÌõ «ïº «ÎìÌõ «Ãº¡ûÅ¡ö
þó¾ ÅÉòбý þýÉø þÕ쨸ìÌ ±Ç¢§Â¡Ã¢ý
Åó¾ ¸Õò¦¾ý ¦º¡øÖ¾¢ ±ýÈ¡ý ÁÕû¸¢ýÈ¡ý.

ÁÂí¸¢Â Á¡Ã£ºý, þáŽ¨É §¿¡ì¸¢, "ÌÇ¢÷îº¢Â¡É ¸üÀ¸ ÁÃí¸Ç¢ý ¿¢ÆÄ¢ø Å£üÈ¢ÕóÐ «Ãº¡Ùõ, §¾Å÷ ¾¨ÄÅý þó¾¢ÃÛìÌõ ÂÁÛìÌõ «îºõ ¾Õõ ¬ðº¢¨Â ¿ÎòÐÀŧÉ! ¿£ þô¦À¡ØÐ þó¾ì ¸¡ðÊø ÐýÀõ ¾Õž¡É ±ý þÕôÀ¢¼òÐìÌ ±Ç¢ÂÅÉ¡¸ Åó¾ ¸¡Ã½¦ÁýÉ? ¦º¡øÅ¡ö" ±ýÚ Å¢ÉŢɡý.

3. ¬É ¾¨ÉòÐõ ¬Å¢ ¾Ã¢ò¦¾ý «Â÷¸¢ý§Èý
§À¡ÉÐ ¦À¡üÒõ §Áý¨ÁÔõ Áü¦Èý Ò¸§Æ¡Îõ
¬ÉÐ ¯É츢ýÚ ±í¹Éõ ¯¨Ã째ý þÉ¢¦¾ýÉ¡
Å¡É ÅÕìÌõ ¿¡½Ð «ÎìÌõ ŨºÁý§É¡.

±ýÉ¡ø þÂýÈ ÁðÎõ ¯Â¢¨Ãò ¾¡í¸¢ì ¦¸¡ñÊÕó§¾ý. «Ð×õ þÂÄ¡Áø ¾Ç÷¸¢§Èý. ±ÉÐ ¦À¡Ä¢×õ ¸£÷ò¾¢Ôõ ¦ÀÕ¨ÁÔõ §À¡öÅ¢ð¼Ð. «¾üÌì ¸¡Ã½ò¨¾ ±ôÀÊî ¦º¡ø§Åý? «î¦ºÂø §¾Å÷ìÌõ ¿¡õ ¦Åð¸ôÀÎõÀÊÂ¡É ÀÆ¢ô¨À Å¢¨ÇôÀ¾ý§È¡?

4. Åý¨Á ¾Ã¢ò§¾¡÷ Á¡Û¼÷ ÁüÈíÌ «Å÷ Å¡Ç¡ø
¿¢ýÁÕ ¸¢ìÌ ¿¡º¢þÆì Ìõ¿¢¨Ä §¿÷ó¾¡÷
±ýÁà ÒìÌõ ¿¢ýÁà ÒìÌõ þ¾ý §Á§Ä¡÷
Òý¨Á ¦¾Ã¢ôÀ¢ý §ÅȢɢ ±ü§È Ò¸ø§Å§Ä¡ö.

§Å§Ä¡ö! ÁÉ¢¾÷¸û ÅÄ¢¨Á âñ¼É÷. §ÁÖõ «Å÷¸û ¾ÁРšǢɡø ¯ÉÐ ÁÕÁ¸û ã쨸 þÆìÌõÀÊ ¦ºö¾É÷. ¬Ã¡öóÐ ÜÚÁ¢¼òÐ ±ÉÐ ÅõºòÐìÌõ ¯ÉÐ ÅõºòÐìÌõ þ¨¾ Å¢¼ §ÁÄ¡É µ÷ þÆ¢× §ÅÚ ±ýÉ þÕ츢ÈÐ? ¦º¡øÅ¡ö.

5. ¾¢ÕÌ º¢Éò¾¡÷ Ó¾¢Ã Á¨Äó¾¡÷ º¢È¢§Â¡÷¿¡û
ÀÕ¸¢Éý ±ýÈ¡ø ¦ÅýÈ¢ ¿Äò¾¢ü ÀÆ¢Âý§È¡
þÕ¨¸ ÍÁó¾¡ý þÉ¢¾¢ý þÕó¾¡ý þ¸ø§Åø¯ý
ÁÕ¸÷ ÌÄò¾¡÷ ´ÕÅý Á¨Äó¾¡ý ÅâŢøÄ¡ø.

´Õ ÁÉ¢¾ý ¸ð¼¨Áó¾ Å¢ø¨Äì ¦¸¡ñÎ ¦À¡Õ¾¡É¡ö, Ó¾¢÷ó¾ §¸¡Àí¦¸¡ñÎ Á¢Ì¾¢Â¡¸ô §À¡÷¦ºö¾ ±ÉÐ ¾õÀ¢Á¡Ã¡É ¸Ãý ӾĢ§Â¡Ã¢ý ¬Ôû ¿¡¨Ç ´Æ¢òРŢð¼¡ý ±ýÈ¡ø, þÐŨà ¦ÅüÈ¢ ¸ñ¼ ¿ÁÐ ¦ÀÕ¨ÁìÌô ÀÆ¢Âý§È¡? ¯ÉÐ ÁÕÁ¸÷¸û þùÅ¡Ú «Æ¢ó¾É÷. «¾üÌ ¿¡õ ´ýÚõ ¦ºö¡¨Á¡ø «Åý ͸Á¡¸ þÕ츢ýÈ¡§É.

6
¦ÅôÒ «Æ¢Â¡Ð ±ý ¦¿ïºõ ¯Ä÷ó§¾ý ŢǢ¸¢ý§Èý
´ôÒ þÄ÷ ±ý§È §À¡÷ ¦ºÂø ´ø§Äý ¯¼ý Å¡Øõ
ÐôÒ «Æ¢ ¦ºù Å¡ö Åﺢ¨Â ¦ÅªÅ Ш½ ¦¸¡ñÊðÎ
þô ÀÆ¢ ¿¢ýÉ¡ø ¾£Ã¢Â Åó§¾ý þÅñ ±ýÈ¡ý.

'ÁÉ즸¡¾¢ôÒ ¾½¢Â¡Áø ±ý ÁÉõ «Æ¢óÐ, ¯Â¢÷ À¢Ã¢ó¾Ð §À¡ýÈ ÐýÀò¨¾ «ÛÀŢ츢ý§Èý; «Å÷¸û ±ý ÅÄ¢¨ÁìÌî ºÁÁ¡ÉÅ÷¸û «øÄ÷ ±ýÀ¾¡ø §À¡Ã¢¼Å¢ø¨Ä; «Å÷¸Ù¼É¢ÕìÌõ ÀÅÆò¨¾ §¾¡øÅ¢ÔÈöÔõ ¦ºùÅ¡¨ÂÔ¨¼Â Åﺢ즸¡Ê §À¡ýÈ ¦Àñ¨½ì ¸Å÷óÐ Åà ¯ýШ½ ¦¸¡ñÎ, ÀÆ¢¾£÷ì¸ þùÅ¢¼õ Åó§¾ý.'

Á¡Ã£ºý þáŽÛìÌ «È¢×¨Ã À¸÷¾ø
7

þî ¦º¡ø «¨ÉòÐõ ¦º¡øÄ¢ «Ãì¸ý ±Ã¢¸¢ýÈ
¸¢îº¢ý ¯ÕìÌ þðÎ ¯öò¾Éý ±ýÉì ¸¢ÇáÓý
º¢îº¢ ±É ¾ý ¦Áöî ¦ºÅ¢ ¦À¡ò¾¢ ¦¾ÕÁó¾¡ý
«îºõ «¸üÈ¢ ¦ºüÈ ÁÉò§¾¡Î «¨È¸¢ýÈ¡ý.

±Ã¢¸¢ýÈ ¦¿ÕôÀ¢ø þÕõ¨Àì ¸¡ö ¸¡¾¢ø ¦ºÖò¾¢ÂÐ §À¡Ä¡É ¦º¡ü¸¨Çò ¾ýÉ¢¼õ ÜÚõ þáŽý Óý§É 'º£îº£' ±É ¸¡Ð¸¨Ç ãÊ즸¡ñÎ, «îºÁ¢ýÈ¢, º¢Éõ ¦¸¡ñ¼ ÁÉòмý Á¡Ã£ºý º¢ÄÅü¨Èî ¦º¡øÄÄ¡É¡ý.

¸¢îÍ - ¦¿ÕôÒ (ìÕº¡Ñ ±ýÈ Å¼ ¦º¡øÄ¢ý ¾¢Ã¢Ò)

ÌÈ¢ôÒ

'¦À¡Õó¾¢Â ÀÂò¾ý º¢ó¨¾ ¦À¡ÕÓüÚ ¦ÅÕ׸¢ýÈ¡ý' ±É Ó¾ø ¸Å¢Â¢ø ÜȢ¨¾ì ¸Õ¾¢, '«îºõ «¸üÈ¢ ¦ºüÈ ÁÉò§¾¡Î
«¨È¸¢ýÈ¡ý ' ±ýÈ¡÷.

8 'ÁýÉ¡! Á¾¢ «üÈ¡ö; ¿£ ¯ý Å¡ú¨Å ÓÊò¾¡ö;' - Á¡Ã£ºý


ÁýÉ¡ ¿£ ¯ý Å¡ú¨Å ÓÊò¾¡ö Á¾¢ «üÈ¡ö
¯ýÉ¡ø «ýÚ ®Ð °úÅ¢¨É ±ý§È ¯½÷¸¢ý§Èý
þýÉ¡§ÅÛõ ¡ý þÐ ¯¨Ãô¦Àý þ¾õ ±ýÉ¡
¦º¡ýÉ¡ý «ý§È «ýÉÅÛìÌò н¢× ±øÄ¡õ.

'ÁýÉŧÉ! ¯ÉÐ Å¡ú쨸¨Â ÓÊòÐ즸¡ñ¼¡ö; «È¢¨ÅÔõ þÆó¾¡ö; ¯ÉÐ ¦ºÂø ¯ý Å¢¾¢ôÀ¡§Ä ±É ¯½÷¸¢§Èý; ±ÉÐ ¿ø֨øû ¯ÉìÌ þÉ¢¾¡¸¡Å¢ð¼¡Öõ, ¯ÉìÌ ¿ý¨Á¡ɧ¾ ±Éì¸Õ¾¢ þ¨¾ì ÜÚ¸¢§Èý' ±É þáŽÛìÌ ¯Â÷ó¾ ¿ø֨øû ÜÈÄ¡É¡ý.

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¬Ã½¢Â ¸¡ñ¼õ

8. Á¡Ã£ºý Ũ¾ô À¼Äõ

Á¡Ã£ºý þáŽý Åó¾ ¸¡Ã½ò¨¾ Å¢É×¾ø
1
þÕó¾ Á¡Ã£ºý «ó¾ þáŽý ±ö¾§Ä¡Îõ
¦À¡Õó¾¢Â ÀÂò¾ý º¢ó¨¾ ¦À¡ÕÓüÚ ¦ÅÕ׸¢ýÈ¡ý
¸Õó ¾¼ Á¨Ä «ýÉ¡¨É ±¾¢÷¦¸¡ñÎ ¸¼ý¸û ¡×õ
¾¢Õó¾¢Â ¦ºöÐ ¦ºùÅ¢ò ¾¢ÕÓ¸õ §¿¡ì¸¢î ¦ºôÒõ.

þáŽý «íÌ Åó¾Ðõ, Á¡Ã¢ºý «îºÓüÚ ÁÉõ ¾¢Î츢ðÎì ¸Äí¸¢É¡ý. ¸Ã¢Â ¦Àâ Á¨Ä §À¡ýÈ þáŽ¨É ±¾¢÷¦¸¡ñÎ ÅçÅüÚ, ¯ÀºÃ¢òÐ, «Æ¸¢Â «ÅÉÐ ¾¢ÕÓ¸ò¨¾ô À¡÷òÐ ÜÈÄ¡É¡ý.

2. ºó¾ ÁÄ÷ò¾ñ ¸üÀ¸ ¿£Æø ¾¨ÄÅüÌõ
«ó¾¸ ÛìÌõ «ïº «ÎìÌõ «Ãº¡ûÅ¡ö
þó¾ ÅÉòбý þýÉø þÕ쨸ìÌ ±Ç¢§Â¡Ã¢ý
Åó¾ ¸Õò¦¾ý ¦º¡øÖ¾¢ ±ýÈ¡ý ÁÕû¸¢ýÈ¡ý.

ÁÂí¸¢Â Á¡Ã£ºý, þáŽ¨É §¿¡ì¸¢, "ÌÇ¢÷îº¢Â¡É ¸üÀ¸ ÁÃí¸Ç¢ý ¿¢ÆÄ¢ø Å£üÈ¢ÕóÐ «Ãº¡Ùõ, §¾Å÷ ¾¨ÄÅý þó¾¢ÃÛìÌõ ÂÁÛìÌõ «îºõ ¾Õõ ¬ðº¢¨Â ¿ÎòÐÀŧÉ! ¿£ þô¦À¡ØÐ þó¾ì ¸¡ðÊø ÐýÀõ ¾Õž¡É ±ý þÕôÀ¢¼òÐìÌ ±Ç¢ÂÅÉ¡¸ Åó¾ ¸¡Ã½¦ÁýÉ? ¦º¡øÅ¡ö" ±ýÚ Å¢ÉŢɡý.

3. ¬É ¾¨ÉòÐõ ¬Å¢ ¾Ã¢ò¦¾ý «Â÷¸¢ý§Èý
§À¡ÉÐ ¦À¡üÒõ §Áý¨ÁÔõ Áü¦Èý Ò¸§Æ¡Îõ
¬ÉÐ ¯É츢ýÚ ±í¹Éõ ¯¨Ã째ý þÉ¢¦¾ýÉ¡
Å¡É ÅÕìÌõ ¿¡½Ð «ÎìÌõ ŨºÁý§É¡.

±ýÉ¡ø þÂýÈ ÁðÎõ ¯Â¢¨Ãò ¾¡í¸¢ì ¦¸¡ñÊÕó§¾ý. «Ð×õ þÂÄ¡Áø ¾Ç÷¸¢§Èý. ±ÉÐ ¦À¡Ä¢×õ ¸£÷ò¾¢Ôõ ¦ÀÕ¨ÁÔõ §À¡öÅ¢ð¼Ð. «¾üÌì ¸¡Ã½ò¨¾ ±ôÀÊî ¦º¡ø§Åý? «î¦ºÂø §¾Å÷ìÌõ ¿¡õ ¦Åð¸ôÀÎõÀÊÂ¡É ÀÆ¢ô¨À Å¢¨ÇôÀ¾ý§È¡?

4. Åý¨Á ¾Ã¢ò§¾¡÷ Á¡Û¼÷ ÁüÈíÌ «Å÷ Å¡Ç¡ø
¿¢ýÁÕ ¸¢ìÌ ¿¡º¢þÆì Ìõ¿¢¨Ä §¿÷ó¾¡÷
±ýÁà ÒìÌõ ¿¢ýÁà ÒìÌõ þ¾ý §Á§Ä¡÷
Òý¨Á ¦¾Ã¢ôÀ¢ý §ÅȢɢ ±ü§È Ò¸ø§Å§Ä¡ö.

§Å§Ä¡ö! ÁÉ¢¾÷¸û ÅÄ¢¨Á âñ¼É÷. §ÁÖõ «Å÷¸û ¾ÁРšǢɡø ¯ÉÐ ÁÕÁ¸û ã쨸 þÆìÌõÀÊ ¦ºö¾É÷. ¬Ã¡öóÐ ÜÚÁ¢¼òÐ ±ÉÐ ÅõºòÐìÌõ ¯ÉÐ ÅõºòÐìÌõ þ¨¾ Å¢¼ §ÁÄ¡É µ÷ þÆ¢× §ÅÚ ±ýÉ þÕ츢ÈÐ? ¦º¡øÅ¡ö.

5. ¾¢ÕÌ º¢Éò¾¡÷ Ó¾¢Ã Á¨Äó¾¡÷ º¢È¢§Â¡÷¿¡û
ÀÕ¸¢Éý ±ýÈ¡ø ¦ÅýÈ¢ ¿Äò¾¢ü ÀÆ¢Âý§È¡
þÕ¨¸ ÍÁó¾¡ý þÉ¢¾¢ý þÕó¾¡ý þ¸ø§Åø¯ý
ÁÕ¸÷ ÌÄò¾¡÷ ´ÕÅý Á¨Äó¾¡ý ÅâŢøÄ¡ø.

´Õ ÁÉ¢¾ý ¸ð¼¨Áó¾ Å¢ø¨Äì ¦¸¡ñÎ ¦À¡Õ¾¡É¡ö, Ó¾¢÷ó¾ §¸¡Àí¦¸¡ñÎ Á¢Ì¾¢Â¡¸ô §À¡÷¦ºö¾ ±ÉÐ ¾õÀ¢Á¡Ã¡É ¸Ãý ӾĢ§Â¡Ã¢ý ¬Ôû ¿¡¨Ç ´Æ¢òРŢð¼¡ý ±ýÈ¡ø, þÐŨà ¦ÅüÈ¢ ¸ñ¼ ¿ÁÐ ¦ÀÕ¨ÁìÌô ÀÆ¢Âý§È¡? ¯ÉÐ ÁÕÁ¸÷¸û þùÅ¡Ú «Æ¢ó¾É÷. «¾üÌ ¿¡õ ´ýÚõ ¦ºö¡¨Á¡ø «Åý ͸Á¡¸ þÕ츢ýÈ¡§É.

6
¦ÅôÒ «Æ¢Â¡Ð ±ý ¦¿ïºõ ¯Ä÷ó§¾ý ŢǢ¸¢ý§Èý
´ôÒ þÄ÷ ±ý§È §À¡÷ ¦ºÂø ´ø§Äý ¯¼ý Å¡Øõ
ÐôÒ «Æ¢ ¦ºù Å¡ö Åﺢ¨Â ¦ÅªÅ Ш½ ¦¸¡ñÊðÎ
þô ÀÆ¢ ¿¢ýÉ¡ø ¾£Ã¢Â Åó§¾ý þÅñ ±ýÈ¡ý.

'ÁÉ즸¡¾¢ôÒ ¾½¢Â¡Áø ±ý ÁÉõ «Æ¢óÐ, ¯Â¢÷ À¢Ã¢ó¾Ð §À¡ýÈ ÐýÀò¨¾ «ÛÀŢ츢ý§Èý; «Å÷¸û ±ý ÅÄ¢¨ÁìÌî ºÁÁ¡ÉÅ÷¸û «øÄ÷ ±ýÀ¾¡ø §À¡Ã¢¼Å¢ø¨Ä; «Å÷¸Ù¼É¢ÕìÌõ ÀÅÆò¨¾ §¾¡øÅ¢ÔÈöÔõ ¦ºùÅ¡¨ÂÔ¨¼Â Åﺢ즸¡Ê §À¡ýÈ ¦Àñ¨½ì ¸Å÷óÐ Åà ¯ýШ½ ¦¸¡ñÎ, ÀÆ¢¾£÷ì¸ þùÅ¢¼õ Åó§¾ý.'

Á¡Ã£ºý þáŽÛìÌ «È¢×¨Ã À¸÷¾ø
7

þî ¦º¡ø «¨ÉòÐõ ¦º¡øÄ¢ «Ãì¸ý ±Ã¢¸¢ýÈ
¸¢îº¢ý ¯ÕìÌ þðÎ ¯öò¾Éý ±ýÉì ¸¢ÇáÓý
º¢îº¢ ±É ¾ý ¦Áöî ¦ºÅ¢ ¦À¡ò¾¢ ¦¾ÕÁó¾¡ý
«îºõ «¸üÈ¢ ¦ºüÈ ÁÉò§¾¡Î «¨È¸¢ýÈ¡ý.

±Ã¢¸¢ýÈ ¦¿ÕôÀ¢ø þÕõ¨Àì ¸¡ö ¸¡¾¢ø ¦ºÖò¾¢ÂÐ §À¡Ä¡É ¦º¡ü¸¨Çò ¾ýÉ¢¼õ ÜÚõ þáŽý Óý§É 'º£îº£' ±É ¸¡Ð¸¨Ç ãÊ즸¡ñÎ, «îºÁ¢ýÈ¢, º¢Éõ ¦¸¡ñ¼ ÁÉòмý Á¡Ã£ºý º¢ÄÅü¨Èî ¦º¡øÄÄ¡É¡ý.

¸¢îÍ - ¦¿ÕôÒ (ìÕº¡Ñ ±ýÈ Å¼ ¦º¡øÄ¢ý ¾¢Ã¢Ò)

ÌÈ¢ôÒ

'¦À¡Õó¾¢Â ÀÂò¾ý º¢ó¨¾ ¦À¡ÕÓüÚ ¦ÅÕ׸¢ýÈ¡ý' ±É Ó¾ø ¸Å¢Â¢ø ÜȢ¨¾ì ¸Õ¾¢, '«îºõ «¸üÈ¢ ¦ºüÈ ÁÉò§¾¡Î
«¨È¸¢ýÈ¡ý ' ±ýÈ¡÷.

8 'ÁýÉ¡! Á¾¢ «üÈ¡ö; ¿£ ¯ý Å¡ú¨Å ÓÊò¾¡ö;' - Á¡Ã£ºý


ÁýÉ¡ ¿£ ¯ý Å¡ú¨Å ÓÊò¾¡ö Á¾¢ «üÈ¡ö
¯ýÉ¡ø «ýÚ ®Ð °úÅ¢¨É ±ý§È ¯½÷¸¢ý§Èý
þýÉ¡§ÅÛõ ¡ý þÐ ¯¨Ãô¦Àý þ¾õ ±ýÉ¡
¦º¡ýÉ¡ý «ý§È «ýÉÅÛìÌò н¢× ±øÄ¡õ.

'ÁýÉŧÉ! ¯ÉÐ Å¡ú쨸¨Â ÓÊòÐ즸¡ñ¼¡ö; «È¢¨ÅÔõ þÆó¾¡ö; ¯ÉÐ ¦ºÂø ¯ý Å¢¾¢ôÀ¡§Ä ±É ¯½÷¸¢§Èý; ±ÉÐ ¿ø֨øû ¯ÉìÌ þÉ¢¾¡¸¡Å¢ð¼¡Öõ, ¯ÉìÌ ¿ý¨Á¡ɧ¾ ±Éì¸Õ¾¢ þ¨¾ì ÜÚ¸¢§Èý' ±É þáŽÛìÌ ¯Â÷ó¾ ¿ø֨øû ÜÈÄ¡É¡ý.

[Nagarajan]

Not able to read postings in Tamil. I am visiting for the first time.
Pl guide me.
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Nagarajan

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9. «üÈ ¸Ãò§¾¡Î ¯ý ¾¨Ä ¿£§Â «Éø ÓýÉ¢ø
ÀüÈ¢¨É ¯öò¾¡ö ÀüÀÄ ¸¡Äõ Àº¢ ÜÃ
¯üÚ ¯Â¢÷ ¯û§Ç §¾Â ¯Äó¾¡ö À¢¨É «ý§È¡
¦Àü鬃 ¦ºøÅõ À¢ý «Ð þ¸úó¾Ä¡ø ¦ÀÈø ¬§Á¡.

¯ýÉ¡ø «Úì¸ôÀð¼ ¯ý ¨¸¸¨ÇÔõ ¯ý ¾¨Ä¸¨ÇÔõ ¿£§Â §ÅûÅ¢ ¾£Â¢ø §º÷òÐ, Á¢¸ô ÀÄ ¸¡Äõ Á¢Ìó¾ Àº¢ÔüÚ ¯Â¢÷ ¯¼Ä¢ý ¯û§Ç§Â ¦ÁÄ¢óÐ Å¡ÎõÀÊ ÅÕó¾¢ ¾Åõ ¦ºö¾¡ö. «¾üÌ À¢ýÉ÷ «øÄÅ¡, ±øÄ¡ ¦ºøÅí¸¨ÇÔõ ¦ÀüÈ¡ö. «ó¾î ¦ºøÅí¸¨Çô À¢ýÒ «Äðº¢Âò¾¡ø þÆó¾¡ø, Á£ñÎõ ¦ÀÈ ÓÊÔÁ¡?

10. ¾¢Èò ¾¢ÈÉ¡§Ä¡ ¦ºö ¾Åõ ÓüÈ¢ ¾¢Õ ¯üÈ¡ö
ÁÈò ¾¢ÈÉ¡§Ä¡ ¦º¡øÖ¾¢ ¦º¡ø ¬ö Á¨È Åø§Ä¡ö
«Èò¾¢É¡§Ä ±ö¾¢¨É «ý§È¡ «Ð ¿£Ôõ
ÒÈò¾¢É¡§Ä À¢ýÛõ þÆì¸ô ÒÌÅ¡§Â¡.

" §Å¾ Å¡÷ò¨¾¸¨Ç ¬Ã¡Ôõ ¬üÈø ¦ÀüÈŧÉ, º¢Èó¾ «È ÅƢ¢ɡġ, «øÄÐ «¾ÕÁ ÅƢ¢ɡġ, ¿£ ¦ºöžüÌâ ¾Åò¨¾ ¦ºöÐ ÓÊòÐ º¢Èó¾ ¦ºøÅò¨¾ ¦ÀüÈ¡ö? ¦º¡øš¡¸! «È ÅƢ¢ý ãħÁ ¦ºøÅò¨¾ «¨¼ó¾¡ö «øÄÅ¡? «î ¦ºøÅò¨¾, «ó¾ «È ÅÆ¢ìÌ Á¡È¡É «¾÷Á ÅƢ¢ø Á£ñÎõ ¿£ þÆì¸ò ¦¾¡¼íÌÅ¡§Â¡?

11. ¿¡Ãõ ¦¸¡ñ¼¡÷ ¿¡Î ¸Å÷ó¾¡÷ ¿¨¼ «øÄ¡
Å¡Ãõ ¦¸¡ñ¼¡÷ ÁüÚ ´ÕÅý ¾ý Á¨É Å¡Øõ
¾¡Ãõ ¦¸¡ñ¼¡÷ ±ýÈ þÅ÷ ¾õ¨Áò ¾ÕÁõ ¾¡ý
®Õõ ¸ñ¼¡ö ¸ñ¼¸÷ ¯öó¾¡÷ ±Å÷ ³Â¡.

" ¾õÁ¢¼õ «ýÒ ¦¸¡ñ§¼¡Ã¢ý ¿¡ð¨¼ì ¸Å÷óÐ ¦¸¡ñ§¼¡÷, «È¦¿È¢ìÌ ÓÃñ½É ÌÊ¢¨Èô ¦À¡Õ¨Ç (Åâ) ÅĢ ÅÌò§¾¡÷, Áü¦È¡ÕÅÕìÌ ¯Ã¢¨Á ¯¨¼ÂÅÇ¡ö, «ÅÃРţðÊø Å¡ú¸¢ýÈ Á¨ÉÅ¢¨Â ÅÄ¢¨Á¡ø ¸Å÷óÐ ¦¸¡ñ§¼¡÷, ±ýÛõ þÅ÷¸¨Ç «È츼×û ¾¡§É ÅóÐ «ÚòÐ «Æ¢ìÌõ. þ¨¾ ¿£ «È¢Å¡ö. ³Â§É!

¾£ÂÅ÷¸Ùø, «Æ¢óÐ §À¡¸¡Áø ¾ôÀ¢ À¢¨Æò¾Å÷ ¡÷ ¯ûÇ¡÷¸û? ´ÕÅÕõ þø¨Ä.

12. «ó¾Ãõ ¯üáý «¸Ä¢¨¸¦À¡üÀ¡ø «Æ¢×üÈ¡ý
þó¾¢Ãý ´ôÀ¡÷ ±ò¾¨É§Â¡÷ ¾¡õ þÆ¢×üÈ¡÷
¦ºó ¾¢Õ ´ôÀ¡÷ ±ò¾¨É§Â¡÷ ¿¢ý ¾¢Õ ¯ñÀ¡÷
Áó¾¢Ãõ «üÈ¡÷ ¯üÈÐ ¯¨Ãò¾¡ö Á¾¢ «üÈ¡ö.

" Å¢ñÏĸò¾¢ø ¬ðº¢¨Âô ¦ÀüÈ þó¾¢Ãý «¸Ä¢¨¸Â¢ý «Æ¸¢§Ä ¬¨º ¦¸¡ñÎ «¾É¡ø ¦¸¡Îï º¡Àõ ¦ÀüÚò ¾£¨Á «¼ó¾¡ý. «ó¾ þó¾¢Ã¨Éô §À¡Äô À¢È÷ Á¨ÉÅ¢¨Â Å¢ÕõÀ¢ÂÅ÷ ±ò¾¨É§Â¡ §À÷ þÆ¢× «¨¼ó¾É÷. º¢Åó¾ ¿¢Èõ ¯¨¼Â þÄìÌÁ¢ §À¡ýÈ «Æ¸¢Â Á¸Ç¢÷ ±ò¾¨É§Â¡ §À÷, ¯ý «Æ¨¸ Å¢ÕõÀ¢ «ÛÀŢ츢ýÈÉ÷. «ôÀÊ þÕì¸, À¢ý§É ÅÕŨ¾ Óý§É «È¢Ôõ ¬üÈø «üÈÅ÷¸û ¦º¡øžüÌ ²üÈ ¦º¡ü¸¨Ç ¿£ ÜȢɡö, «¾É¡ø «È¢× þÆóÐÅ¢ð¼¡ö.

13. ¦ºö¾¡§ÂÛõ ¾£Å¢¨É§Â¡Îõ ÀÆ¢ «øÄ¡ø
±ö¾¡Ð ±ö¾¡Ð ±ö¾¢ý þáÁý ¯ÄÌ ®ýÈ¡ý
¨Å¾¡ø «ýÉ Å¡Ç¢¸û ¦¸¡ñÎ ¯ý ÅÆ¢§Â¡Îõ
¦¸¡ö¾¡ý «ý§È ¦¸¡üÈõ ÓÊòÐ ¯ý ÌØ ±øÄ¡õ.

" ¿£ ¾¢ð¼Á¢ð¼ÀÊ ¦ºö ÓÂýÈ¡Öõ, À¡ÅÓõ ÀÆ¢Ôõ «øÄ¡Áø ¿ý¨ÁÔõ, þýÀÓõ ¯ñ¼¡¸¡Ð. ¯ý ¦ºÂø ¨¸ì ÜÊÉ¡Öõ, ±øÄ¡ ¯Ä¸í¸¨ÇÔõ À¨¼ò¾ÅÉ¡É þáÁý, º¡ý§È¡÷¸Ç¢ý º¡Àõ §À¡Äò ¾ôÀ¡Áø ¾¡ìÌõ «õÒ¸¨Ç즸¡ñÎ, ¯ý ºó¾¾¢Ô¼ý ¯ÉÐ ÅÄ¢¨Á¨Â «Æ¢òÐ ¯ÉÐ Üð¼õ ÓØŨ¾Ôõ ¿¢îºÂÁ¡ö «ÚòÐ «Æ¢òÐÅ¢ÎÅ¡ý.

14. ±ýÈ¡ø ±ý§É ±ñ½¨Ä§Â ¿£ ¸Ãý ±ýÀ¡ý
¿¢ý ¾¡¨ÉìÌ §Áø ¯Çý ±ýÛõ ¿¢¨Ä «õÁ¡
¾ý ¾¡¨É ¾¢ý §¾§Ã¡Îõ Á¡Çò ¾Û ´ýÈ¡ø
¦¸¡ýÈ¡ý ÓüÚõ ¦¸¡øÄ ÁÉò¾¢ø ÌÈ¢¦¸¡ñ¼¡ý.

" ¿¡ý þùÅ¡Ú ¿£¾¢ ¦º¡øž¡ø ÀÂý ±ýÉ? ¸Ãý ±ýÀÅý ¯ÉÐ À¨¼Â¢ý ÅÄ¢¨ÁìÌõ §ÁÄ¡É ÅÄ¢¨Á¨Âò¾¡ý ´ÕÅ§É ¦ÀüÚûÇÅý. «Åý ¾ÉÐ §º¨É§Â¡Îõ, ¯Ú¾¢Â¡ý §¾§Ã¡Îõ þÈóÐ §À¡ÌõÀÊ ´Õ Å¢ø¨Ä즸¡ñ§¼ «Æ¢ò¾¡ý, þáÁý. «Åý, ¯ÉÐ «Ãì¸÷ ÌÄõ ÓØŨ¾Ôõ «Æ¢ôÀ¨¾ þÄðº¢Á¡¸ì ¦¸¡ñ¼¡ý.þ¨¾ ¿£ ±ñÉ¢ô À¡÷ì¸Å¢ø¨Ä§Â.

15. ¦Åö§Â¡÷ ¡§Ã ţà Ţá¾ý Ð¨É ¦Åö§Â¡÷
³§Â¡ §À¡É¡ý «õ¦À¡Îõ ¯õÀ÷ìÌ «Åý ±ýÈ¡ø
¯öÅ¡÷ ¡§Ã ¿õÁ¢ø ±Éì ¦¸¡ñÎ ¯½÷§¾¡Õõ
¨¿Â¡ ¿¢ý§Èý ¿£ þÐ ¯¨ÃòÐ ¿Ä¢Å¡§Â¡.

" Á¢Ìó¾ ÅÄ¢¨Á ¦ÀüÈÅ÷¸Ùû, Á¡Å£ÃÉ¡É Å¢Ã¡¾¨Éô§À¡Ä Å£Ãõ ¯¨¼ÂÅ÷ ¡÷ ¯Ç÷? ±ÅÕõ þø¨Ä. «ó¾ Ţá¾ý, þáÁÉÐ «õÀ¢É¡ø Å¢ñÏÄìÌìÌ §À¡öÅ¢ð¼¡ý ±ýÚ ¦º¡ýÉ¡ø, þáÁÉÐ «õÒìÌò ¾ôÀ¢ À¢¨ÆôÀÅ÷ ¿õÁ¢ø ¡÷ ¯ûÇÉ÷? ±ÅÚõ þø¨Ä. þ¨¾ ÁÉò¾¢ø ¦¸¡ñÎ «Êì¸Ê¿¢¨ÉòÐ ¯½Õõ §À¡¦¾øÄ¡õ ¾Ç÷óÐ §À¡¸¢§Èý. þô§À¡Ð þáÁý Á¨ÉÅ¢¨Âì ¸Åà §À¡Å¨¾î ¦º¡øÄ¢ ±ý¨É ¿£ §ÁÖõ ÐýÒÚòÐÅ¡§Â¡?.

16. Á¡ñ¼¡÷ Á¡ñ¼¡÷ ¿£ þÉ¢ Á¡ûÅ¡÷ ¦¾¡Æ¢ø ¦ºöÂ
§Åñ¼¡ §Åñ¼¡ ¦ºö¾¢Êý ¯ðÅ¡ý Å¢¾¢ ¯ñ§¼¡
¬ñ¼¡÷ ¬ñ¼¡÷ ±ò¾¨É ±ý§¸ý «Èõ §¿¡É¡÷
®ñ¼¡÷ ®ñÎ ¬÷ ¿¢ýÈÅ÷ ±øÄ¡õ þÄ÷ «ý§È¡

" ¾ÅÚ ¦ºöÐ þÈó¾Å÷¸û þÈó¾Å÷¸§Ç ¬Å¡÷¸û þÈôÀÅ÷¸û ¦ºöÔõ ¦¸¡Î󦾡Ƣ¨Ä þÉ¢ ¿£ ¦ºö §Åñ¼¡õ! §Åñ¼§Å §Åñ¼¡õ! Á£È¢î ¦ºö¾¡ø, «¾¢Ä¢ÕóÐ ¾ôÀ¢ô À¢¨Æì¸î ¦ºöÔõ ¿øÄÅ¢¾¢ ¯ñ¼¡ÌÁ¡? ¯ñ¼¡¸¡Ð. þù×ĸò¨¾ ´ÕÅ÷ À¢ý ´ÕÅáö ¬ñ¼¡÷¸û, ±ò¾É¢ §À÷ ±ýÚ ±ýÉ¡ø ¦º¡øÄ ÓÊÔÁ¡?

ÓÊ¡Р«Å÷¸Ùø «Èò¨¾ô §À¡üÈ¢ «¾ý ÅÆ¢ ¦ºøÄ¡¾Å÷¸û ¾õ þÉò¨¾ ¦ÀÕì¸Á¡ð¼¡÷¸û. «Å÷¸Ùû ¿£ñ¼ ¸¡Äõ ¿¢Äò¾Å÷ ¡÷? «¨ÉÅÕõ ¿¢¨ÄòÐ Å¡Æ ÓÊ¡Áø «Æ¢óÐ §À¡öÅ¢ð¼¡÷¸û, «øÄÅ¡?

17. ±õÀ¢ìÌõ ±ý «ý¨É ¾ÉìÌõ þÚ¾¢ìÌ µ÷
«õÒ ¯öìÌõ §À¡÷ Å¢øÄ¢¾ÉìÌõ «Âø ¿¢üÌõ
¾õÀ¢ìÌõ ±ý ¬ñ¨Á ¾Å¢÷ó§¾ ¾Ç÷×ü§Èý
¸õÀ¢ìÌõ ±ý ¦¿ïÍ «Åý ±ý§È ¸Åø¸¢ý§Èý.

"±ý ¾õÀ¢Â¡¸¢Â ÍÀ¡Ì×ìÌõ ±ý «ý¨ÉÂ¡É ¾¡¼¨¸ìÌõ Áýõ §¿ÕõÀÊ ´ôÀüÈ «õ¨À ¦ºÖòÐõ §À¡Ã¢§Ä ÅøÄ Å¢ø¨Ä ¯¨¼ÂÅý, þáÁý. «ó¾ þáÁÛìÌõ ±ô§À¡Ðõ «Åý «Õ¸¢§Ä§Â ¿¢üÌõ «ÅÛ¨¼Â ¾õÀ¢Â¡É þÄìÌÁ½ÛìÌõ ±ý ÅøĨÁ «Æ¢óÐ §À¡¸ò ¾Ç÷¨¼ó§¾ý. «Å÷¸¨Ä ¿¢¨ÉòÐ ±ý ¦¿ïºõ þô§À¡Ðõ ¿Îí̸¢ýÈÐ. ¿£À¨¸òÐ즸¡ûÙÅÐ «ó¾ þáÁ¨É§Â ±ýÀ¨¾ ±ñ½¢ì ¸Å¨ÄôÀθ¢ý§Èý.

18. ¿¢ýÚõ ¦ºýÚõ Å¡úÅÉ Â¡×õ ¿¢¨Ä¡šø
¦À¡ýÚõ ±ýÛõ ¦Áöõ¨Á ¯½÷ó¾¡õ Ò¨Ä ¬¼üÌ
´ýÚõ ¯ýÉ¡ö ¯ý ¯¨Ã ¦¸¡ûÇ¡ö ¯Â÷ ¦ºøÅòÐ
±ýÚõ ±ýÚõ ¨Å̾¢ ³Â¡ þÉ¢ ±ýÈ¡ý.

" þù×ĸ¢ø «¨ºÂ¡Áø µÃ¢¼ò¾¢ø ¿¢üÌõ ¿¢¨Äò¾¢¨½ô ¦À¡Õû¸Ùõ, ÀÄ þ¼í¸ÙìÌî ¦ºøž¡É þÂí̾¢¨½ ¦À¡Õû¸ÙÁ¡¸¢Â «¨ÉòÐõ ¿¢¨ÄòÐ ¿¢ü¸¡Áø «Æ¢óÐ §À¡Ìõ. þó¾ ¯ñ¨Á¨Â ¯½÷óÐû§Ç¡õ. ¬¨¸Â¡ø ³Â§É! þÉ¢§Áø þÆ¢ó¾ ¦¾¡Æ¢ø ¦ºöŨ¾ ÁÉò¾¢É¡Öõ º¢ó¾¢ì¸¡§¾! ±ÉÐ «È¢×¨Ã¨Â ²üÚì ¦¸¡ûš¡¸. «¾ý ãÄõ º¢Èó¾ ¦ºøÅò¾¢§Ä, ±øÄ¡ì ¸¡Äò¾¢Öõ ¿¢¨ÄòÐ Å¡úš¡¸" ±ýÚ ÜȢɡý, Á¡Ã£ºý.

þáŽý ¦ÅÌÇø

19. ¸í¨¸ º¨¼ ¨Åò¾Å¦É¡Îõ ¸Â¢¨Ä ¦ÅüÒ µ÷
«í¨¸Â¢ý ±Îò¾ ±ÉÐ ¬Î ±Æ¢ø Á½¢ò§¾¡û
þíÌ µ÷ ÁÉ¢¾üÌ ±Ç¢Â ±ý鬃 ±Éò ¾ý
¦Åí¸ñ ±Ã¢Â ÒÕÅõ Á£ÐÈ Å¢¨¼ò¾¡ý.'

Á¡Ã£ºÉ¢ý «È¢×¨Ã¨Âì §¸ð¼ þáŽý " ¸í¨¸ ¬ü¨È ¾ý º¨¼Â¢§Ä ¾í¸î ¦ºö¾ º¢Å§É¡Î «ÅÉÐ ¸Â¢¨Ä Á¨Ä¨Â, µ÷ ¯ûÇí¨¸Â¡ø «ûÇ¢ ±Îò¾ ¬ñ¨Á ¦¾¡Æ¢ø ÒâÔõ ±ý «Æ¸¡É §¾¡û¸û, þô§À¡Ð µ÷ «üÀ ÁÉ¢¾ÛìÌò §¾¡üÌõ ±Ç¢¨Á ¦ÀüÈÉ ±ýÚ ¿£ ÜȢŢð¼¡ö". ±ýÚ ¦º¡øÄ¢ ¾ý ¦¸¡Ê ¸ñ¸û «ÉÄ¡¸ ±Ã¢Â, ÒÕÅí¸û ¦¿È¢òÐ ¦¿üȢ¢ý §Á§Ä ¦ºøÄ, ¦ÀÕí§¸¡Àõ ¦¸¡ñ¼¡ý.

20. ¿¢¸ú󾨾 ¿¢¨Éò¾¢¨Ä ±ý ¦¿ïº¢ý ¿¢¨Ä «ïº¡Ð
þ¸ú󾨾 ±ÉìÌ þ¨Ç ¿í¨¸ Ó¸õ ±íÌõ
«¸úó¾ Ũà ´ôÒ ¯È «¨Áò¾Å¨Ã ³Â¡
Ò¸úó¾¨É ¾É¢ô À¢¨Æ ¦À¡Úò¾¦Éý þÐ ±ýÈ¡ý.

"³Â§É! ¿¼ó¾ ¦ºÂ¨Ä ¿£ ¿¢¨ÉòÐ À¡÷ì¸Å¢ø¨Ä. «îºõ þøÄ¡Áø ±ý ÁÉ ¿¢¨Ä¨Â þ¸úóÐ §Àº¢É¡ö. ±ÉìÌ ¾í¨¸Â¡É Ý÷ôÀ½¨¸Â¢ý Ó¸õ ÓØÅÐõ, §¾¡ñ¼ôÀð¼ Á¨Ä¨Âô§À¡Ä §¾¡ýÈ ¦ºö¾Å÷¸¨Çô Ò¸úó¾¡ö. þÐ ¿£ ¦ºö¾ ´ôÀüÈ À¢¨Æ¡Ìõ. þ¨¾ ¿¡ý ¦À¡ÕòÐ즸¡ñ§¼ý." ±ýÈ¡ý þáŽý.

Á¡Ã£ºý Á£ñÎõ «È¢×Úò¾ø

21. ¾ý¨É ÓÉ¢×üÈ ¾Ú¸ñ ¾¸¢Å¢§Ä¡¨É
À¢ý¨É ÓÉ¢×üÈ¢Îõ ±Éò ¾Å¢÷¾ø §À½¡ý
¯ý¨É ÓÉ¢×üÚ ¯ý ÌÄò¨¾ ÓÉ¢×üÈ¡ö
±ý¨É ÓÉ¢×üÈ¢¨Ä þÐ ±ý ±É þ¨ºò¾¡ý.

¾ýÉ¢¼õ §¸¡Àõ ¦¸¡ñ¼ «ïº¡¾ §¿÷¨ÁÂüÈ þáŽý, «È¢×¨Ã ÜȢɡø §ÁÖõ ¾ý¨Éì §¸¡À¢ôÀ¡ý ±ýÚ ¿¢¨ÉòÐô À¡÷측Áø, " ¿£ ¯ý¨É §¸¡À¢òÐì ¦¸¡ñÎ, ¯ýÛ¨¼Â ÌÄò¨¾ §¸¡À¢ò¾¡§Â ¾Å¢Ã, ±ý¨Éì §¸¡À¢ì¸Å¢ø¨Ä. þùÅ¡Ú ¦ºöÅÐ ²ý? " ±ýÚ Á¡Ã£ºý Å¢ÉŢɡý.

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9. «üÈ ¸Ãò§¾¡Î ¯ý ¾¨Ä ¿£§Â «Éø ÓýÉ¢ø
ÀüÈ¢¨É ¯öò¾¡ö ÀüÀÄ ¸¡Äõ Àº¢ ÜÃ
¯üÚ ¯Â¢÷ ¯û§Ç §¾Â ¯Äó¾¡ö À¢¨É «ý§È¡
¦Àü鬃 ¦ºøÅõ À¢ý «Ð þ¸úó¾Ä¡ø ¦ÀÈø ¬§Á¡.

¯ýÉ¡ø «Úì¸ôÀð¼ ¯ý ¨¸¸¨ÇÔõ ¯ý ¾¨Ä¸¨ÇÔõ ¿£§Â §ÅûÅ¢ ¾£Â¢ø §º÷òÐ, Á¢¸ô ÀÄ ¸¡Äõ Á¢Ìó¾ Àº¢ÔüÚ ¯Â¢÷ ¯¼Ä¢ý ¯û§Ç§Â ¦ÁÄ¢óÐ Å¡ÎõÀÊ ÅÕó¾¢ ¾Åõ ¦ºö¾¡ö. «¾üÌ À¢ýÉ÷ «øÄÅ¡, ±øÄ¡ ¦ºøÅí¸¨ÇÔõ ¦ÀüÈ¡ö. «ó¾î ¦ºøÅí¸¨Çô À¢ýÒ «Äðº¢Âò¾¡ø þÆó¾¡ø, Á£ñÎõ ¦ÀÈ ÓÊÔÁ¡?

10. ¾¢Èò ¾¢ÈÉ¡§Ä¡ ¦ºö ¾Åõ ÓüÈ¢ ¾¢Õ ¯üÈ¡ö
ÁÈò ¾¢ÈÉ¡§Ä¡ ¦º¡øÖ¾¢ ¦º¡ø ¬ö Á¨È Åø§Ä¡ö
«Èò¾¢É¡§Ä ±ö¾¢¨É «ý§È¡ «Ð ¿£Ôõ
ÒÈò¾¢É¡§Ä À¢ýÛõ þÆì¸ô ÒÌÅ¡§Â¡.

" §Å¾ Å¡÷ò¨¾¸¨Ç ¬Ã¡Ôõ ¬üÈø ¦ÀüÈŧÉ, º¢Èó¾ «È ÅƢ¢ɡġ, «øÄÐ «¾ÕÁ ÅƢ¢ɡġ, ¿£ ¦ºöžüÌâ ¾Åò¨¾ ¦ºöÐ ÓÊòÐ º¢Èó¾ ¦ºøÅò¨¾ ¦ÀüÈ¡ö? ¦º¡øš¡¸! «È ÅƢ¢ý ãħÁ ¦ºøÅò¨¾ «¨¼ó¾¡ö «øÄÅ¡? «î ¦ºøÅò¨¾, «ó¾ «È ÅÆ¢ìÌ Á¡È¡É «¾÷Á ÅƢ¢ø Á£ñÎõ ¿£ þÆì¸ò ¦¾¡¼íÌÅ¡§Â¡?

11. ¿¡Ãõ ¦¸¡ñ¼¡÷ ¿¡Î ¸Å÷ó¾¡÷ ¿¨¼ «øÄ¡
Å¡Ãõ ¦¸¡ñ¼¡÷ ÁüÚ ´ÕÅý ¾ý Á¨É Å¡Øõ
¾¡Ãõ ¦¸¡ñ¼¡÷ ±ýÈ þÅ÷ ¾õ¨Áò ¾ÕÁõ ¾¡ý
®Õõ ¸ñ¼¡ö ¸ñ¼¸÷ ¯öó¾¡÷ ±Å÷ ³Â¡.

" ¾õÁ¢¼õ «ýÒ ¦¸¡ñ§¼¡Ã¢ý ¿¡ð¨¼ì ¸Å÷óÐ ¦¸¡ñ§¼¡÷, «È¦¿È¢ìÌ ÓÃñ½É ÌÊ¢¨Èô ¦À¡Õ¨Ç (Åâ) ÅĢ ÅÌò§¾¡÷, Áü¦È¡ÕÅÕìÌ ¯Ã¢¨Á ¯¨¼ÂÅÇ¡ö, «ÅÃРţðÊø Å¡ú¸¢ýÈ Á¨ÉÅ¢¨Â ÅÄ¢¨Á¡ø ¸Å÷óÐ ¦¸¡ñ§¼¡÷, ±ýÛõ þÅ÷¸¨Ç «È츼×û ¾¡§É ÅóÐ «ÚòÐ «Æ¢ìÌõ. þ¨¾ ¿£ «È¢Å¡ö. ³Â§É!

¾£ÂÅ÷¸Ùø, «Æ¢óÐ §À¡¸¡Áø ¾ôÀ¢ À¢¨Æò¾Å÷ ¡÷ ¯ûÇ¡÷¸û? ´ÕÅÕõ þø¨Ä.

12. «ó¾Ãõ ¯üáý «¸Ä¢¨¸¦À¡üÀ¡ø «Æ¢×üÈ¡ý
þó¾¢Ãý ´ôÀ¡÷ ±ò¾¨É§Â¡÷ ¾¡õ þÆ¢×üÈ¡÷
¦ºó ¾¢Õ ´ôÀ¡÷ ±ò¾¨É§Â¡÷ ¿¢ý ¾¢Õ ¯ñÀ¡÷
Áó¾¢Ãõ «üÈ¡÷ ¯üÈÐ ¯¨Ãò¾¡ö Á¾¢ «üÈ¡ö.

" Å¢ñÏĸò¾¢ø ¬ðº¢¨Âô ¦ÀüÈ þó¾¢Ãý «¸Ä¢¨¸Â¢ý «Æ¸¢§Ä ¬¨º ¦¸¡ñÎ «¾É¡ø ¦¸¡Îï º¡Àõ ¦ÀüÚò ¾£¨Á «¼ó¾¡ý. «ó¾ þó¾¢Ã¨Éô §À¡Äô À¢È÷ Á¨ÉÅ¢¨Â Å¢ÕõÀ¢ÂÅ÷ ±ò¾¨É§Â¡ §À÷ þÆ¢× «¨¼ó¾É÷. º¢Åó¾ ¿¢Èõ ¯¨¼Â þÄìÌÁ¢ §À¡ýÈ «Æ¸¢Â Á¸Ç¢÷ ±ò¾¨É§Â¡ §À÷, ¯ý «Æ¨¸ Å¢ÕõÀ¢ «ÛÀŢ츢ýÈÉ÷. «ôÀÊ þÕì¸, À¢ý§É ÅÕŨ¾ Óý§É «È¢Ôõ ¬üÈø «üÈÅ÷¸û ¦º¡øžüÌ ²üÈ ¦º¡ü¸¨Ç ¿£ ÜȢɡö, «¾É¡ø «È¢× þÆóÐÅ¢ð¼¡ö.

13. ¦ºö¾¡§ÂÛõ ¾£Å¢¨É§Â¡Îõ ÀÆ¢ «øÄ¡ø
±ö¾¡Ð ±ö¾¡Ð ±ö¾¢ý þáÁý ¯ÄÌ ®ýÈ¡ý
¨Å¾¡ø «ýÉ Å¡Ç¢¸û ¦¸¡ñÎ ¯ý ÅÆ¢§Â¡Îõ
¦¸¡ö¾¡ý «ý§È ¦¸¡üÈõ ÓÊòÐ ¯ý ÌØ ±øÄ¡õ.

" ¿£ ¾¢ð¼Á¢ð¼ÀÊ ¦ºö ÓÂýÈ¡Öõ, À¡ÅÓõ ÀÆ¢Ôõ «øÄ¡Áø ¿ý¨ÁÔõ, þýÀÓõ ¯ñ¼¡¸¡Ð. ¯ý ¦ºÂø ¨¸ì ÜÊÉ¡Öõ, ±øÄ¡ ¯Ä¸í¸¨ÇÔõ À¨¼ò¾ÅÉ¡É þáÁý, º¡ý§È¡÷¸Ç¢ý º¡Àõ §À¡Äò ¾ôÀ¡Áø ¾¡ìÌõ «õÒ¸¨Ç즸¡ñÎ, ¯ý ºó¾¾¢Ô¼ý ¯ÉÐ ÅÄ¢¨Á¨Â «Æ¢òÐ ¯ÉÐ Üð¼õ ÓØŨ¾Ôõ ¿¢îºÂÁ¡ö «ÚòÐ «Æ¢òÐÅ¢ÎÅ¡ý.

14. ±ýÈ¡ø ±ý§É ±ñ½¨Ä§Â ¿£ ¸Ãý ±ýÀ¡ý
¿¢ý ¾¡¨ÉìÌ §Áø ¯Çý ±ýÛõ ¿¢¨Ä «õÁ¡
¾ý ¾¡¨É ¾¢ý §¾§Ã¡Îõ Á¡Çò ¾Û ´ýÈ¡ø
¦¸¡ýÈ¡ý ÓüÚõ ¦¸¡øÄ ÁÉò¾¢ø ÌÈ¢¦¸¡ñ¼¡ý.

" ¿¡ý þùÅ¡Ú ¿£¾¢ ¦º¡øž¡ø ÀÂý ±ýÉ? ¸Ãý ±ýÀÅý ¯ÉÐ À¨¼Â¢ý ÅÄ¢¨ÁìÌõ §ÁÄ¡É ÅÄ¢¨Á¨Âò¾¡ý ´ÕÅ§É ¦ÀüÚûÇÅý. «Åý ¾ÉÐ §º¨É§Â¡Îõ, ¯Ú¾¢Â¡ý §¾§Ã¡Îõ þÈóÐ §À¡ÌõÀÊ ´Õ Å¢ø¨Ä즸¡ñ§¼ «Æ¢ò¾¡ý, þáÁý. «Åý, ¯ÉÐ «Ãì¸÷ ÌÄõ ÓØŨ¾Ôõ «Æ¢ôÀ¨¾ þÄðº¢Á¡¸ì ¦¸¡ñ¼¡ý.þ¨¾ ¿£ ±ñÉ¢ô À¡÷ì¸Å¢ø¨Ä§Â.

15. ¦Åö§Â¡÷ ¡§Ã ţà Ţá¾ý Ð¨É ¦Åö§Â¡÷
³§Â¡ §À¡É¡ý «õ¦À¡Îõ ¯õÀ÷ìÌ «Åý ±ýÈ¡ø
¯öÅ¡÷ ¡§Ã ¿õÁ¢ø ±Éì ¦¸¡ñÎ ¯½÷§¾¡Õõ
¨¿Â¡ ¿¢ý§Èý ¿£ þÐ ¯¨ÃòÐ ¿Ä¢Å¡§Â¡.

" Á¢Ìó¾ ÅÄ¢¨Á ¦ÀüÈÅ÷¸Ùû, Á¡Å£ÃÉ¡É Å¢Ã¡¾¨Éô§À¡Ä Å£Ãõ ¯¨¼ÂÅ÷ ¡÷ ¯Ç÷? ±ÅÕõ þø¨Ä. «ó¾ Ţá¾ý, þáÁÉÐ «õÀ¢É¡ø Å¢ñÏÄìÌìÌ §À¡öÅ¢ð¼¡ý ±ýÚ ¦º¡ýÉ¡ø, þáÁÉÐ «õÒìÌò ¾ôÀ¢ À¢¨ÆôÀÅ÷ ¿õÁ¢ø ¡÷ ¯ûÇÉ÷? ±ÅÚõ þø¨Ä. þ¨¾ ÁÉò¾¢ø ¦¸¡ñÎ «Êì¸Ê¿¢¨ÉòÐ ¯½Õõ §À¡¦¾øÄ¡õ ¾Ç÷óÐ §À¡¸¢§Èý. þô§À¡Ð þáÁý Á¨ÉÅ¢¨Âì ¸Åà §À¡Å¨¾î ¦º¡øÄ¢ ±ý¨É ¿£ §ÁÖõ ÐýÒÚòÐÅ¡§Â¡?.

16. Á¡ñ¼¡÷ Á¡ñ¼¡÷ ¿£ þÉ¢ Á¡ûÅ¡÷ ¦¾¡Æ¢ø ¦ºöÂ
§Åñ¼¡ §Åñ¼¡ ¦ºö¾¢Êý ¯ðÅ¡ý Å¢¾¢ ¯ñ§¼¡
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®ñ¼¡÷ ®ñÎ ¬÷ ¿¢ýÈÅ÷ ±øÄ¡õ þÄ÷ «ý§È¡

" ¾ÅÚ ¦ºöÐ þÈó¾Å÷¸û þÈó¾Å÷¸§Ç ¬Å¡÷¸û þÈôÀÅ÷¸û ¦ºöÔõ ¦¸¡Î󦾡Ƣ¨Ä þÉ¢ ¿£ ¦ºö §Åñ¼¡õ! §Åñ¼§Å §Åñ¼¡õ! Á£È¢î ¦ºö¾¡ø, «¾¢Ä¢ÕóÐ ¾ôÀ¢ô À¢¨Æì¸î ¦ºöÔõ ¿øÄÅ¢¾¢ ¯ñ¼¡ÌÁ¡? ¯ñ¼¡¸¡Ð. þù×ĸò¨¾ ´ÕÅ÷ À¢ý ´ÕÅáö ¬ñ¼¡÷¸û, ±ò¾É¢ §À÷ ±ýÚ ±ýÉ¡ø ¦º¡øÄ ÓÊÔÁ¡?

ÓÊ¡Р«Å÷¸Ùø «Èò¨¾ô §À¡üÈ¢ «¾ý ÅÆ¢ ¦ºøÄ¡¾Å÷¸û ¾õ þÉò¨¾ ¦ÀÕì¸Á¡ð¼¡÷¸û. «Å÷¸Ùû ¿£ñ¼ ¸¡Äõ ¿¢Äò¾Å÷ ¡÷? «¨ÉÅÕõ ¿¢¨ÄòÐ Å¡Æ ÓÊ¡Áø «Æ¢óÐ §À¡öÅ¢ð¼¡÷¸û, «øÄÅ¡?

17. ±õÀ¢ìÌõ ±ý «ý¨É ¾ÉìÌõ þÚ¾¢ìÌ µ÷
«õÒ ¯öìÌõ §À¡÷ Å¢øÄ¢¾ÉìÌõ «Âø ¿¢üÌõ
¾õÀ¢ìÌõ ±ý ¬ñ¨Á ¾Å¢÷ó§¾ ¾Ç÷×ü§Èý
¸õÀ¢ìÌõ ±ý ¦¿ïÍ «Åý ±ý§È ¸Åø¸¢ý§Èý.

"±ý ¾õÀ¢Â¡¸¢Â ÍÀ¡Ì×ìÌõ ±ý «ý¨ÉÂ¡É ¾¡¼¨¸ìÌõ Áýõ §¿ÕõÀÊ ´ôÀüÈ «õ¨À ¦ºÖòÐõ §À¡Ã¢§Ä ÅøÄ Å¢ø¨Ä ¯¨¼ÂÅý, þáÁý. «ó¾ þáÁÛìÌõ ±ô§À¡Ðõ «Åý «Õ¸¢§Ä§Â ¿¢üÌõ «ÅÛ¨¼Â ¾õÀ¢Â¡É þÄìÌÁ½ÛìÌõ ±ý ÅøĨÁ «Æ¢óÐ §À¡¸ò ¾Ç÷¨¼ó§¾ý. «Å÷¸¨Ä ¿¢¨ÉòÐ ±ý ¦¿ïºõ þô§À¡Ðõ ¿Îí̸¢ýÈÐ. ¿£À¨¸òÐ즸¡ûÙÅÐ «ó¾ þáÁ¨É§Â ±ýÀ¨¾ ±ñ½¢ì ¸Å¨ÄôÀθ¢ý§Èý.

18. ¿¢ýÚõ ¦ºýÚõ Å¡úÅÉ Â¡×õ ¿¢¨Ä¡šø
¦À¡ýÚõ ±ýÛõ ¦Áöõ¨Á ¯½÷ó¾¡õ Ò¨Ä ¬¼üÌ
´ýÚõ ¯ýÉ¡ö ¯ý ¯¨Ã ¦¸¡ûÇ¡ö ¯Â÷ ¦ºøÅòÐ
±ýÚõ ±ýÚõ ¨Å̾¢ ³Â¡ þÉ¢ ±ýÈ¡ý.

" þù×ĸ¢ø «¨ºÂ¡Áø µÃ¢¼ò¾¢ø ¿¢üÌõ ¿¢¨Äò¾¢¨½ô ¦À¡Õû¸Ùõ, ÀÄ þ¼í¸ÙìÌî ¦ºøž¡É þÂí̾¢¨½ ¦À¡Õû¸ÙÁ¡¸¢Â «¨ÉòÐõ ¿¢¨ÄòÐ ¿¢ü¸¡Áø «Æ¢óÐ §À¡Ìõ. þó¾ ¯ñ¨Á¨Â ¯½÷óÐû§Ç¡õ. ¬¨¸Â¡ø ³Â§É! þÉ¢§Áø þÆ¢ó¾ ¦¾¡Æ¢ø ¦ºöŨ¾ ÁÉò¾¢É¡Öõ º¢ó¾¢ì¸¡§¾! ±ÉÐ «È¢×¨Ã¨Â ²üÚì ¦¸¡ûš¡¸. «¾ý ãÄõ º¢Èó¾ ¦ºøÅò¾¢§Ä, ±øÄ¡ì ¸¡Äò¾¢Öõ ¿¢¨ÄòÐ Å¡úš¡¸" ±ýÚ ÜȢɡý, Á¡Ã£ºý.

þáŽý ¦ÅÌÇø

19. ¸í¨¸ º¨¼ ¨Åò¾Å¦É¡Îõ ¸Â¢¨Ä ¦ÅüÒ µ÷
«í¨¸Â¢ý ±Îò¾ ±ÉÐ ¬Î ±Æ¢ø Á½¢ò§¾¡û
þíÌ µ÷ ÁÉ¢¾üÌ ±Ç¢Â ±ý鬃 ±Éò ¾ý
¦Åí¸ñ ±Ã¢Â ÒÕÅõ Á£ÐÈ Å¢¨¼ò¾¡ý.'

Á¡Ã£ºÉ¢ý «È¢×¨Ã¨Âì §¸ð¼ þáŽý " ¸í¨¸ ¬ü¨È ¾ý º¨¼Â¢§Ä ¾í¸î ¦ºö¾ º¢Å§É¡Î «ÅÉÐ ¸Â¢¨Ä Á¨Ä¨Â, µ÷ ¯ûÇí¨¸Â¡ø «ûÇ¢ ±Îò¾ ¬ñ¨Á ¦¾¡Æ¢ø ÒâÔõ ±ý «Æ¸¡É §¾¡û¸û, þô§À¡Ð µ÷ «üÀ ÁÉ¢¾ÛìÌò §¾¡üÌõ ±Ç¢¨Á ¦ÀüÈÉ ±ýÚ ¿£ ÜȢŢð¼¡ö". ±ýÚ ¦º¡øÄ¢ ¾ý ¦¸¡Ê ¸ñ¸û «ÉÄ¡¸ ±Ã¢Â, ÒÕÅí¸û ¦¿È¢òÐ ¦¿üȢ¢ý §Á§Ä ¦ºøÄ, ¦ÀÕí§¸¡Àõ ¦¸¡ñ¼¡ý.

20. ¿¢¸ú󾨾 ¿¢¨Éò¾¢¨Ä ±ý ¦¿ïº¢ý ¿¢¨Ä «ïº¡Ð
þ¸ú󾨾 ±ÉìÌ þ¨Ç ¿í¨¸ Ó¸õ ±íÌõ
«¸úó¾ Ũà ´ôÒ ¯È «¨Áò¾Å¨Ã ³Â¡
Ò¸úó¾¨É ¾É¢ô À¢¨Æ ¦À¡Úò¾¦Éý þÐ ±ýÈ¡ý.

"³Â§É! ¿¼ó¾ ¦ºÂ¨Ä ¿£ ¿¢¨ÉòÐ À¡÷ì¸Å¢ø¨Ä. «îºõ þøÄ¡Áø ±ý ÁÉ ¿¢¨Ä¨Â þ¸úóÐ §Àº¢É¡ö. ±ÉìÌ ¾í¨¸Â¡É Ý÷ôÀ½¨¸Â¢ý Ó¸õ ÓØÅÐõ, §¾¡ñ¼ôÀð¼ Á¨Ä¨Âô§À¡Ä §¾¡ýÈ ¦ºö¾Å÷¸¨Çô Ò¸úó¾¡ö. þÐ ¿£ ¦ºö¾ ´ôÀüÈ À¢¨Æ¡Ìõ. þ¨¾ ¿¡ý ¦À¡ÕòÐ즸¡ñ§¼ý." ±ýÈ¡ý þáŽý.

Á¡Ã£ºý Á£ñÎõ «È¢×Úò¾ø

21. ¾ý¨É ÓÉ¢×üÈ ¾Ú¸ñ ¾¸¢Å¢§Ä¡¨É
À¢ý¨É ÓÉ¢×üÈ¢Îõ ±Éò ¾Å¢÷¾ø §À½¡ý
¯ý¨É ÓÉ¢×üÚ ¯ý ÌÄò¨¾ ÓÉ¢×üÈ¡ö
±ý¨É ÓÉ¢×üÈ¢¨Ä þÐ ±ý ±É þ¨ºò¾¡ý.

¾ýÉ¢¼õ §¸¡Àõ ¦¸¡ñ¼ «ïº¡¾ §¿÷¨ÁÂüÈ þáŽý, «È¢×¨Ã ÜȢɡø §ÁÖõ ¾ý¨Éì §¸¡À¢ôÀ¡ý ±ýÚ ¿¢¨ÉòÐô À¡÷측Áø, " ¿£ ¯ý¨É §¸¡À¢òÐì ¦¸¡ñÎ, ¯ýÛ¨¼Â ÌÄò¨¾ §¸¡À¢ò¾¡§Â ¾Å¢Ã, ±ý¨Éì §¸¡À¢ì¸Å¢ø¨Ä. þùÅ¡Ú ¦ºöÅÐ ²ý? " ±ýÚ Á¡Ã£ºý Å¢ÉŢɡý.

[bb]

Nagarajan, I will post a how-to soon.

[bb]

Nagarajan, I will post a how-to soon.

[bb]

Is the size of this tamil font okay or should I increase it?

[bb]

Is the size of this tamil font okay or should I increase it?

[R.Srinivasan]

22. ±Îò¾ Á¨Ä§Â ¿¢¨É¢ý ®ºý þ¸ø Å¢øÄ¡ö
ÅÊò¾ Á¨Ä ¿£ þÐ ÅÄ¢ò¾¢ ±É šâô
À¢Êò¾ Á¨Ä ¿¡ñ þ¨¼ À¢½¢òÐ ´ÕÅý §Áø ¿¡û
´Êò¾ Á¨Ä ¯õÀ÷ ӸΠ¯üÈ Á¨Ä «ý§È¡.

Á¡Ã£ºý ¦¾¡¼÷óÐ «È¢×¨Ã ÅÆí¸¢É¡ý. " ¿£ ¸Â¢¨Ä Á¨Ä¨Âì ¨¸Â¡ø ¦ÀÂ÷òÐ ±Îò¾¨¾ ¦ÀÕ¨Á¡¸ ¿¢¨É츢ýÈ¡ö. ' þÐ º¢Å ¦ÀÕÁ¡ý ÅĢ ŢøÄ¡¸ ŨÄò¾ Á¨Ä. ¿£ þ¨¾ ŨÇòÐ ¿¡§½üÚ' ±ýÚ ºÉ¸ý ÜÈ, ´ôÀüà þáÁý Óý¦É¡Õ ¿¡û, ±Ç¢¾¡¸ì ¨¸Â¢ø À¢Êò¾ Á¨Ä §À¡ýÈ «ó¾ º¢ÅÉРŢø ¿¡¨½ þ¨¼Â¢ø ÀüÈ¢ þØòРŨÇì¸ ÓÂýÈ §À¡Ð ´Êó¾Ð. «ùÅ¡Ú ´ÊóÐ §À¡É Å¢øÄ¡¸¢Â «ó¾ Á¨Ä, þó¾ «ñ¼ò¾¢ý ¯îº¢¨Âò ¦¾¡ðÎ ¯Â÷óÐ ¿¢ýÈ §ÁÕ Á¨Ä§Â «øÄÅ¡?

23. ¡Ðõ «È¢Â¡ö ¯¨Ã ¦¸¡Ç¡ö þ¸ø þáÁý
§¸¡¨¾ ҨɡÓý ¯Â¢÷ ¦¸¡û¨ÇÀÎõ «ý§È
§À¨¾ Á¾¢Â¡ø þ·Ð µ÷ ¦Àñ ¯ÕÅõ ±ýÈ¡ö
º£¨¾ ¯Õ§Å¡ ¿¢Õ¾÷ ¾£Å¢¨É «Ð «ý§È¡.

" þáÁÛ¨¼Â «È¢×, ¬üüø ӾĢ ±Åü¨ÃÔõ ¿£ «È¢ÂÅ¢ø¨Ä. ¿¡ý ÜÚ¸¢ýÈ «È¢×¨Ã¨Â ²üÚ즸¡ûÇÅ¢ø¨Ä. §À¡Ã¢§Ä ÅøÄ þáÁý, §À¡ÕìÌâ Á¡¨Ä¨Â ÝÊ즸¡ûÙžüÌ Óý§À, «Ãì¸÷¸û ¯Â¢÷ Á¢Ì¾¢Â¡¸ «Æ¢ì¸ÀÎÁøÄÅ¡? ¯ý ã¼ Òò¾¢Â¡ø, ¿£ ¸Å÷óÐ Åà ¿¢¨ÉìÌõ º£¨¾¨Â, þÐ ´Õ ¦Àñ ÅÊÅõ' ±ýÚ ¿¢¨ÉòÐ즸¡ñ¼¡ö. «Ð º£¨¾ ±ýÛõ ´Õ §À¨¾ô¦Àñ ÅÊŧÁ¡?

«ýÚ ! «Ð «Ãì¸÷¸û ¦ºö¾ À¡Åò¾¢ý ÓØ ÅÊÅõ «øÄÅ¡!

24. ¯ïÍ À¢¨Æ¡ö ¯ÈÅ¢§É¡Îõ ±É ¯ýÉ¡
¦¿ïÍ À¨È§À¡Ð «Ð ¿£ ¿¢¨É¸¢øÄ¡ö
«ïÍõ ±ÉÐ ¬Õ¢÷ «È¢óÐ «ÕÌ ¿¢ýÈ¡÷
¿ïÍ Ñ¸÷§Å¡¨Ã þÐ ¿ýÚ ±ÉÖõ ¿ý§È¡.

' ¿£ ¿¢¨Éò¾ÀÊ º£¨¾¨Â ¸Å÷ó¾¡ø ¯ý ¯ÈÅ¢É÷¸§Ç¡Î ¾ôÀ¢ô À¢¨Æì¸Á¡ð¼¡ö ±ýÀ¨¾ ±ñ½¢ ±ý ÁÉõ À¨È «ÊôÀ¨¾ô¦À¡Ä ÐÊ츢ÈÐ! ±ÉÐ «È¢Â ¯Â¢÷ «ï͸¢ÈÐ. «¨¾ ¿£ ¿¢¨ÉòÐô À¡÷측Áø þÕ츢ȡö. Å¢„ò¨¾ «È¢Â¡Áø «ÕóÐÀÅ÷¸¨Ç, «Å÷¸û ¦ºöÔõ ¦ºÂÄ¢ý ¾£¨Á «È¢óÐ «Õ§¸ ¿¢ýÈÅ÷¸û ' þÂø ¦ºöÅÐ ¿øÄÐ ±ýÚ ÜÚÅÐ ¿øľ¡ÌÁ¡? ¬¸¡Ð.

25. ®ºý Ó¾ø þ¨Á§Â¡÷ ¯ÄÌõ Áü¨Èò
§¾ºõ Ó¾ø ÓüÚõ µ÷ þ¨ÁôÀ¢ý ¯Â¢÷ ¾¢ýÀ
§¸¡º¢¸ý «Ç¢ò¾ ¸¼×ð À¨¼ ¦¸¡¾¢ô§À¡Î
¬¸ þÄ ¸½¢ôÒ þÄ þáÁý «Õ§¸ ¿¢üÀ.

" º¢Å¦ÀÕÁ¡ý Ӿġ¸, §¾Å÷¸Ç¢ý ¯Ä¸í¸¨ÇÔõ ÁüÚûÇ þ¼í¸û «¨Éò¨¾Ôõ ´Õ Á¡ò¾¢¨Ã §¿Ãò¾¢ø «íÌûÇ ¯Â¢÷¸¨Çì ¦¸¡ýÚÅ¢ðÎ «Æ¢ì¸ò ¾ì¸¨ÅÔõ, ¦¾öÅò¾ý¨Á ¦À¡Õó¾¢Â¨ÅÔõ, Å¢ÍÅ¡Á¢ò¾¢Ãý ¦¸¡Îò¾¨Å¨ÂÔõ ÌüÈÁüȨÅÔÁ¡É ¸½ì¸¢¼ÓÊ¡¾ ¬Ô¾í¸û, Á¢¸ ¯ì¸¢ÃÁ¡¸ þáÁÉÐ ¸ð¼¨Ç¨Â ±¾¢÷À¡÷òÐ ¿¢ü¸¢ýÈÉ.

26. §Å¾¨É ¦ºö ¸¡Á Å¢¼õ §ÁÄ¢¼ ¦ÁÄ¢ó¾¡ö
¾£Ð ¯¨Ã ¦ºö¾¡ö þ¨É ¦ºö¨¸ º¢¨¾× «ý§È¡
Á¡ÐÄÛõ ¬ö ÁÃÀ¢ý Óó¨¾ ¯È Åó§¾ý
®Ð ¯¨Ã ¦ºö§¾ý «¾¨É ±ó¨¾ ¾Å¢ü¸ ±ýÈ¡ý.

" §Å¾¨É ¾Õ¸¢ýÈ ¸¡Áõ ±ýÛõ Å¢„õ «¾¢¸Á¡¸ , ¿£ Å¡ð¼õ «¨¼ó¾¡ö. «¾É¡ø ¾£Â ¦º¡ü¸¨Ç ¦º¡ýÉ¡ö. þò¾¨¸Â ¦ºÂø ´ÕÅÛ¨¼Â «Æ¢Å¢üÌ ¸¡Ã½õ «øÄÅ¡? ¯ý ÁÃÀ¢§Ä Óý§À §¾¡ýÈ¢ÂÅÛõ, ¯ÉìÌ Á¡Áý ӨȢø ¯ûÇÅÛÁ¡É ¿¡É¢ó¾ ¯ÚÐ ¦Á¡Æ¢¨Â ¯¨Ãò§¾ý. «¾É¡ø «ôÀ§É! þó¾ ¾£Â ¦¾¡Æ¢¨Ä Å¢ðΠŢθ" ±ýÚ Á¡Ã£ºý ÜȢɡý.

[Kajan]

Font size ok

[Manian]

அமர்க்களமான ஆரம்பம்.

B.Balaji அவர்கள் இந் த படலத்தில் ஏற்கெனவே post செய்திருந் த பாடல்களையும் பொருட்குறிப்புகளையும் இங்கு ஏற்றிவிடலாமே.

Forumhub இல் இதற்கான சுட்டி இருந் து கொண்டிருக்க வேண்டும், for late comers.

[bb]

þýÚ Á½¢ Ó. Á½¢Åñ½ý Å£ðÊüÌ ¦ºýÈ¢Õó¾ §À¡Ð, «íÌ §ÀẢâÂ÷ ƒ¡÷ˆ †¡÷𨼠ºó¾¢ì¸ §¿÷ó¾Ð (ƒ¡÷ˆ †¡÷ð¨¼ô ÀüÈ¢ «È¢Â þíÌ À¡Õí¸û: http://tamil.berkeley.edu/Tamil%20Chair/TamilChair.html ). «ÅÕ¼ý ÀÄ Å¢„Âí¸¨Çô ÀüÈ¢ô §Àº ÓÊó¾Ð. º¢ÄôÀ¾¢¸¡Ãõ, ¾¢ÕÅûÙÅâý "¬¾¢À¸Åý", áƒÃ¡ƒ§º¡Æý, þÄ츢Âõ, ÒÈ¿¡ëÚ ±ý¦ÈøÄ¡õ. Á¢¸×õ ͨÅ¡¸×õ ¬úó¾ ÒĨÁÔ¼Ûõ §Àº¢É¡÷ «Å÷.

«Åâ¼õ þó¾ ¸õÀ áÁ¡Â½ ÓÂüº¢ ÀüÈ¢ ±ÎòÐî ¦º¡ý§Éý. ¬÷Åòмý §¸ðÎ즸¡ñ¼¡÷. ¸õÀ¨Éô ÀüÈ¢Ôõ ¸õÀ áÁ¡Â½ò¨¾ô ÀüÈ¢Ôõ ¾ýÛ¨¼Â À¡÷¨Å¸¨Çì ÜȢɡ÷. «Å÷ ¦º¡ýɾ¢ø ÌÈ¢ôÀ¢¼ò¾ì¸¨Å:

1. ¸õÀÉ¢ý ÒĨÁ Á¢¸ô ¦ÀâÂÐ. «ÅÛ¨¼Â ¦Á¡Æ¢ ¬Ù¨Á §ÅÚ Â¡¨ÃÔõ Å¢¼ «¾¢¸Á¡ÉÐ. «ÅÛ¨¼Â ¸üÀ¨Éò ¾¢Èý ¬îºÃ¢Âô À¼ ¨Å츢ÈÐ.

2. ¾Á¢ú þÄ츢Âò¾¢ø "«Èõ" ºõÁó¾ô Àð¼ áø¸Ùõ, "ÁÈõ" ºõÁó¾ô Àð¼ áø¸Ùõ ¿¢¨È þÕ츢ýÈÉ. áÁ¡Â½ò¨¾ «ÈòÐìÌõ ÁÈòÐìÌõ þ¨¼§Â ¿¼ìÌõ §À¡Ã¡ð¼Á¡¸ ¿¢¨Éì¸Ä¡õ. áÁý «È ÅÆ¢¨Âî §º÷ó¾Åý ±ýÚõ þáŽý ÁÈ ÅÆ¢¨Â À¢Ã¾¢ÀĢ츢ÈÅý ±ýÚõ ¿¢¨Éì¸Ä¡õ.

3. ¸õÀý «Ç×ìÌ Å¡øÁ£¸¢Â¢ý ±ØòÐ interesting ¬¸ þø¨Ä.

4. ¸õÀ áÁ¡Â½ò¾¢ý Á¢¸ô ¦Àâ Àí¸Ç¢ôÒ, «Ð ´Õ ÓØ ¸Ä¡îº¡Ãò¨¾ ¾ýÛû «¼ì¸¢Â¢Õ츢ÈÐ. þ¨¾ò ¾Å¢Ã Á¸¡À¡Ã¾õ ÁðÎõ ¾¡ý þôÀÊ ´Õ ¸Ä¡îº¡Ãò¾¢ý «ò¾¨É «í¸í¸¨ÇÔõ Å¢Åâ츢ÈÐ.

5. ¸õÀÉ¢ý ¸¡Å¢Â «¨ÁôÒ ¦¾¡ø¸¡ôÀ¢Âõ ÀÊ þø¨Ä. §ÅÚ ´Õ ӨȨÂî º¡÷ó§¾ þÕ츢ÈÐ (þó¾ Å¢„Âõ ±ÉìÌô ÒâÂÅ¢ø¨Ä. ¡áÅРŢÇìÌí¸§Çý).

«Å÷ þíÌ Å¨Ç̼¡ô À̾¢Â¢ø ÓýÒ ¸õÀ áÁ¡Â½ ÅÌôÒ¸¨Ç ¿¼ò¾¢ì ¦¸¡ñÊÕó¾¡Ã¡õ. «Å¨Ã þó¾ò ¾¢Ã¢ìÌì ¦¸¡ñÎÅà ÓÂüº¢ì¸¢§Èý.

[bb]

þýÚ Á½¢ Ó. Á½¢Åñ½ý Å£ðÊüÌ ¦ºýÈ¢Õó¾ §À¡Ð, «íÌ §ÀẢâÂ÷ ƒ¡÷ˆ †¡÷𨼠ºó¾¢ì¸ §¿÷ó¾Ð (ƒ¡÷ˆ †¡÷ð¨¼ô ÀüÈ¢ «È¢Â þíÌ À¡Õí¸û: http://tamil.berkeley.edu/Tamil%20Chair/TamilChair.html ). «ÅÕ¼ý ÀÄ Å¢„Âí¸¨Çô ÀüÈ¢ô §Àº ÓÊó¾Ð. º¢ÄôÀ¾¢¸¡Ãõ, ¾¢ÕÅûÙÅâý "¬¾¢À¸Åý", áƒÃ¡ƒ§º¡Æý, þÄ츢Âõ, ÒÈ¿¡ëÚ ±ý¦ÈøÄ¡õ. Á¢¸×õ ͨÅ¡¸×õ ¬úó¾ ÒĨÁÔ¼Ûõ §Àº¢É¡÷ «Å÷.

«Åâ¼õ þó¾ ¸õÀ áÁ¡Â½ ÓÂüº¢ ÀüÈ¢ ±ÎòÐî ¦º¡ý§Éý. ¬÷Åòмý §¸ðÎ즸¡ñ¼¡÷. ¸õÀ¨Éô ÀüÈ¢Ôõ ¸õÀ áÁ¡Â½ò¨¾ô ÀüÈ¢Ôõ ¾ýÛ¨¼Â À¡÷¨Å¸¨Çì ÜȢɡ÷. «Å÷ ¦º¡ýɾ¢ø ÌÈ¢ôÀ¢¼ò¾ì¸¨Å:

1. ¸õÀÉ¢ý ÒĨÁ Á¢¸ô ¦ÀâÂÐ. «ÅÛ¨¼Â ¦Á¡Æ¢ ¬Ù¨Á §ÅÚ Â¡¨ÃÔõ Å¢¼ «¾¢¸Á¡ÉÐ. «ÅÛ¨¼Â ¸üÀ¨Éò ¾¢Èý ¬îºÃ¢Âô À¼ ¨Å츢ÈÐ.

2. ¾Á¢ú þÄ츢Âò¾¢ø "«Èõ" ºõÁó¾ô Àð¼ áø¸Ùõ, "ÁÈõ" ºõÁó¾ô Àð¼ áø¸Ùõ ¿¢¨È þÕ츢ýÈÉ. áÁ¡Â½ò¨¾ «ÈòÐìÌõ ÁÈòÐìÌõ þ¨¼§Â ¿¼ìÌõ §À¡Ã¡ð¼Á¡¸ ¿¢¨Éì¸Ä¡õ. áÁý «È ÅÆ¢¨Âî §º÷ó¾Åý ±ýÚõ þáŽý ÁÈ ÅÆ¢¨Â À¢Ã¾¢ÀĢ츢ÈÅý ±ýÚõ ¿¢¨Éì¸Ä¡õ.

3. ¸õÀý «Ç×ìÌ Å¡øÁ£¸¢Â¢ý ±ØòÐ interesting ¬¸ þø¨Ä.

4. ¸õÀ áÁ¡Â½ò¾¢ý Á¢¸ô ¦Àâ Àí¸Ç¢ôÒ, «Ð ´Õ ÓØ ¸Ä¡îº¡Ãò¨¾ ¾ýÛû «¼ì¸¢Â¢Õ츢ÈÐ. þ¨¾ò ¾Å¢Ã Á¸¡À¡Ã¾õ ÁðÎõ ¾¡ý þôÀÊ ´Õ ¸Ä¡îº¡Ãò¾¢ý «ò¾¨É «í¸í¸¨ÇÔõ Å¢Åâ츢ÈÐ.

5. ¸õÀÉ¢ý ¸¡Å¢Â «¨ÁôÒ ¦¾¡ø¸¡ôÀ¢Âõ ÀÊ þø¨Ä. §ÅÚ ´Õ ӨȨÂî º¡÷ó§¾ þÕ츢ÈÐ (þó¾ Å¢„Âõ ±ÉìÌô ÒâÂÅ¢ø¨Ä. ¡áÅРŢÇìÌí¸§Çý).

«Å÷ þíÌ Å¨Ç̼¡ô À̾¢Â¢ø ÓýÒ ¸õÀ áÁ¡Â½ ÅÌôÒ¸¨Ç ¿¼ò¾¢ì ¦¸¡ñÊÕó¾¡Ã¡õ. «Å¨Ã þó¾ò ¾¢Ã¢ìÌì ¦¸¡ñÎÅà ÓÂüº¢ì¸¢§Èý.

[B.Balaji]

Not able to read Posting from Manian , dated 1.11.04

[rags]

B.Balaji, Manian unicodeil ittu irukirar.
Avar solli irupathu:-

«Á÷ì¸ÇÁ¡É ¬ÃõÀõ.
B.Balaji «Å÷¸û þó¾ À¼Äò¾¢ø ²ü¸É§Å þðÎ þÕó¾ À¡¼ø¸¨ÇÔõ ¦À¡ÕðÌÈ¢ôÒ¸¨ÇÔõ þíÌ ²üȢŢ¼Ä¡§Á. Forumhubø þ¾ü¸¡É ÍðÊ þÕóÐ ¦¸¡ñÊÕì¸ §ÅñÎõ for late comers.

[B.Balaji]

rags and Manian

Thanks

[bb]

I will post the next 10 verses.

[bb]

I will post the next 10 verses.

[Kajan]

bb said :

[R.Srinivasan]

Á¡É¡¸ì ¦ºøÄ ¯¼ýÀð¼ Á¡Ã£ºÉ¢ý ¿¢¨Ä

27. §Áø¿¡û «Å÷ Å¢ø ÅÄ¢ ¸ñ¼¨Á¡ø
¾¡ý ¬¸ ¿¢¨ÉóÐ º¨Áó¾¢ÄÉ¡ø
Á¡ý ¬Ì¾¢ ±ýÈÅý Å¡ö ¦Á¡Æ¢Â¡ø
§À¡É¡ý ÁÉÓõ ¦ºÂÖõ Ò¸øÅ¡õ.

ÓýÒ, «ó¾ þáÁ ÄìÌÁ½Ã¢ý Å¢øÄ¢ÉÐ ÅøĨÁ¨Âì ¸ñÊÕó¾¨Á¡ø, Á¡Ã£ºý ¾ÉÐ Í ¯ÕÅò¾¢ø ¦ºøÄ Å¢ÕõÀÅ¢ø¨Ä. ' Á¡É¡¸î ¦ºø"±ýÚ ÜȢ þáŽРšö ¦º¡ø¨Ä ²üÚ, «ùÅ¡§È ¦ºöÂî ¦ºýÈ¡ý.«ÅÉÐ ÁÉ ¿¢¨Ä¨ÂÔõ ¦ºÂø ¾¢Èò¨¾Ôõ þÉ¢ìÜڧšõ.

28. ¦Åï ÍüÈõ ¿¢¨ÉóÐ ¯Ìõ ţèà §ÅÚ
«ïÍüÚ ÁÚìÌÚõ ¬ú ÌÆ¢ ¿£÷
¿ïÍ ¯üÚÆ¢ Á£É¢ý ¿ÎìÌÚÅ¡ý
¦¿ïÍ ¯üÈÐ µ÷ ¦ÀüÈ¢ ¿¢¨ÉôÒ «Ã¢¾¡ø.

þáŽР¦ºÂÄ¡ø ¾ÉìÌõ ¾ý¨É º¡÷󧾡ÕìÌõ «Æ¢× §¿Õõ ±ýÀ¨¾ ¿ýÌ ¯½÷ó¾ Á¡Ã£ºý ¾ý Å¢ÕôÀò¾¢üÌ ¯Ã¢ÂÅÃ¡É ÍüÈò¾¡¨Ã ¿¢¨ÉòÐ ÅÕó¾¢É¡ý; «Ãì¸ÃøÄ¡¾ Á¡É¢¼ Å£ÃÃ¡É þáÁ ÄìÌÁ½¨Ã ¿¢¨ÉòÐô ÀÂóÐ ÌÆôÀõ ¦¸¡ñ¼¡ý.¬ÆÁ¡É ÀûÇò¾¢ø ¯ûÇ ¿£÷ ¿îÍò¾ý¨Á «¨¼Ôõ§À¡Ð, «¾¢ø Å¡Øõ Á£ý «ó¾ ¿£Ã¢§Ä þÕó¾¡Öõ, ¿£¨Ã ¿£í¸¢ ¿¢Äò¨¾ «¨¼ó¾¡Öõ þÈôÀÐ ¯Ú¾¢ ±ýÚ ¿ÎíÌŨ¾ô§À¡Ä ¿Îí¸¢É¡ý. «ó¾ Á¡Ã£ºÉÐ ÁÉõ «¨¼ó¾ ¿¢¨Ä¨Â ¿õÁ¡ø ¿¢¨ÉòÐ «È¢ÂÓÊ¡Ð.

29. «ì ¸¡ÄÓõ §ÅûŢ¢ý «ýÚ ¦¾¡¼÷óÐ
±ì ¸¡Öõ ¿Ä¢óÐõ µ÷ ®Ú ¦ÀÈ¡ý
Óì ¸¡Ä¢ý ÓÊóÐÎÅ¡ý ÓÂøÅ¡ý
Ò측ý «ù þá¸Åý ¨ÅÌ ÒÉõ.

Å¢ÍÅ¡Á¢ò¾¢Ãý §ÅûÅ¢ ¦ºö¾ «ó¾ì ¸¡ÄòÐõ, «¨¾ ¦¾¡¼÷óÐ ¾ñ¼¸ÅÉò¾¢ø Á¡É¡¸î ¦ºýÈ «ó¾ì ¸¡ÄòÐõ ¬¸¢Â þÃñÎ ºÁÂí¸Ç¢ø, ±î ºÁÂò¾¢Öõ þáÁÉ¡ø ÐýÀôÀðÎõ Áýõ ±ýÛõ þÚ¾¢¨Â ¦ÀÈ¡¾Åý, Á¡Ã£ºý, «Åý ãýÈ¡õ Өȡ¸ þáÁÉ¡ø þÈìÌõ ¦À¡ÕðÎ ÓÂüº¢ ¦ºöÀÅÉ¡¸¢, «ó¾ þáÁý ¾í¸¢ þÕó¾ ÅÉòÐìÌû ÒÌó¾¡ý.

Á¡Âô ¦À¡ý Á¡É¡ö ¬É¡ý Á¡Ã£ºý

30. ¾ý Á¡Éõ þÄ¡¾ ¾ÂíÌ ´Ç¢ º¡ø
Á¢ý Å¡ÉÓõ ÁñÛõ Å¢ÇíÌÅÐ µ÷
¦À¡ý Á¡ý ¯ÕÅõ ¦¸¡Î §À¡Â¢ÉÉ¡ø
¿ý Á¡ý «¨½Â¡û¾¨É ¿¡ÎÚÅ¡ý.

¾ÉìÌ ¿¢¸÷ þøÄ¡¾ Å¢Çí¸¢ýÈ ´Ç¢ Á¢Ìó¾ Á¢ýɧġΠÜÊ šÉò¾¢Öõ, þó¾ âÁ¢Â¢Öõ Å¢ÇíÌõ ´Õ ¦À¡ý Á¡É¢ý ¯ÕÅò¨¾ ±ÎòÐ즸¡ñÎ, ¿øÄ Á¡¨Éô §À¡ýÈÅÇ¡É º£¨¾¨Â ¿¡Êî ¦ºýÈ¡ý, Á¡Ã£ºý.

31. ¸¨Ä Á¡ý Ó¾ø ¬Â¢É ¸ñ¼ ±Ä¡õ
«¨Ä Á¡ÛÚõ ¬¨ºÂ¢ý Åó¾ÉÅ¡ø
¿¢¨Ä¡ ÁÉ Åïº¨É §¿Âõ þÄ¡
Å¢¨Ä Á¡¾÷¸ñ ¡Õõ Å¢Øó¾É§Å.

±Åâ¼Óõ ¿¢¨ÄòÐ ¿¢ü¸¡¾ ÁÉÓõ, Åïº¨É ±ýÛõ ̽Óõ ¦ÀüÚûÇ, ¯ñ¨ÁÂ¡É «ýÀ¢øÄ¡¾ §Åº¢¸Ç¢¼Óõ ¸¡Ó¸÷¸Ç¡¸¢Â ¬¼Å÷ «¨ÉÅÕõ ÁÂí¸¢ Å¢ÎŨ¾ô §À¡Ä , Á¡Ã£ºÉÐ Á¡Â ÅÊÅÁ¡É ¦À¡ýÁ¡¨Éì ¸ñ¼, «ó¾ ÅÉò¾¢Ä¢Õó¾ ¸¨ÄÁ¡ý ӾĢ Á¡ý¸û ¡×õ, «¨ÄÅ£Íõ ¸¼ø §À¡Äô ¦ÀÕ¸¢Â ¬¨ºÔ¼§É «ô¦À¡ýÁ¡É¢ý À¢ý§É µÊÅó¾É.

32. ¦À¡ö ¬õ ±É µÐ ÒÈ了¡Ä¢É¡ø
¨¿Â¡ þ¨¼§¿¡Å ¿¼ó¾ÉÇ¡ø
¨Å§¾Å¢ ¾ý Å¡ø Å¨Ç ¦Áý ¨¸ ±Ûõ
¦¸¡ö¡ ÁÄáø ÁÄ÷ ¦¸¡öÌÚÅ¡û.

º£¨¾, ¾ýÛ¨¼Â àö¨ÁÂ¡É Å¨ÇÂø¸û «½¢ó¾ ¦ÁøĢ ¨¸¸Ç¡¸¢Â, ÀÈ¢ììôÀ¼¡¾ ÀÐÁ ÁÄ÷¸Ç¡ø, «ùÅÉò¾¢ø ¯ûÇ ÁÄ÷¸¨Ç ÀÈ¢òÐ ÅÕžü¸¡¸, ' þÅÙìÌ þ¨¼ þÕ츢ýÈÐ ±ýÀÐ ¦À¡öԨà ¬Ìõ' ±ýÚ «ÂÄ¡÷ ÜÚžüÌ ²üÈ Ññ½¢Â þ¨¼ ¦ÁÄ¢óÐ ÅÕó¾ ¿¼óÐ Åó¾¡û.

33. ¯ñ¼¡¸¢Â §¸Î ¯¨¼Â¡÷ ТøÅ¡ö
±ñ ¾¡Ûõ þ¨ÂóÐ þ¨ÂÀ¡ ¯ÕÅõ
¸ñ¼¡÷ ±ÉÄ¡õ Ũ¸ ¸ñ¼ÉÇ¡ø
ÀñÎ ¬Õõ ¯È¡ þ¼÷À¡ÎÚÅ¡û.

«¾üÌ ÓýÒ Â¡Õõ «¨¼Â¡¾ ÐýÀò¨¾ «¨¼Âô §À¡Ìõ º£¨¾, Å¢¾¢Â¢ý Å¢¨ÇÅ¡ø ¾ÁìÌ ²üÀ¼ì ÜÊ ¾£í¨¸ «¨¼óÐûÇÅ÷¸û ¾ÁÐ àì¸ò¾¢ø, ¾ý ÁÉò§¾ «ÐŨà ¿¢¨ÉòÐõ À¡÷ì¸ÓÊ¡¾ ´Õ Å¢Àã¾ ¯ÕÅò¨¾ì ¸ÉÅ¢ø ¸ñ¼¨¾ô §À¡Ä «ó¾ 'Á¡Â Á¡¨Éì ' ¸ñ¼¡û.

34. ¸¡½ þÐ ¨¸¾Åõ ±ýÚ ¯½Ã¡û
§À½¡¾ ¯Çõ ¦¸¡Î §À½¢ÉÇ¡ø
Å¡ú¿¡û «ù þáŽý Á¡Ù¾Ä¡ø
Å£ú ¿¡û þø «Èõ ÒÅ¢ §Á׾ġø.

«ó¾ þáŽР¬Ôð¸¡Äõ «Æ¢Âô§À¡Å¾¡Öõ, «Æ¢×측Äõ ±ýÀÐ þøÄ¡¾ «Èõ âÁ¢¨Â «¨¼Å¾¡Öõ, º£¨¾, «ó¾ Á¡¨Éì¸ñÎ ' þÐ Åﺸ ÅÊÅõ' ±ýÀ¨¾ «È¢Â¡¾ÅÇ¡ö, Å¢ÕõÀò¾¸¡¾ «¾ý «Æ¨¸ ÁÉòÐ𠦸¡ñÎ «¨¾ Å¢ÕõÀ¢É¡û.

Á¡¨Éì ¸ñÎ ÁÂí¸¢Â º£¨¾Â¢ý ¿¢¨Ä

35. ¦¿üÈ¢ô À¢¨Æ¡û ÓÉõ ¿¢ýÈ¢¼Öõ
ÓüÈ¢ ¦Á¡Æ¢ ¸¡¾Ä¢ý ÓóÐÚÅ¡û
ÀüÈ¢ò ¾Õ¸ ±ý¦Àý ±Éô À¨¾Â¡
¦ÅüÈ¢î º¢¨Ä Å£Ã¨É §ÁÅ¢ÉÇ¡ø.

À¢¨Èî ºó¾¢Ã¨Éô §À¡ýÈ ¦¿üÈ¢¨Âô ¦ÀüÈÅÇ¡É º£¨¾Â¢ý Óý§É Á¡ÂÁ¡ý ¿¢ýÈ×¼ý, ¿¢¨ÈóÐ ¦À¡í¸¢ ÅÆ¢¸¢ýÈ ¬¨º ¦ÀÕ츢ɡø Óý§É ¦ºøÀÅÇ¡É «î º£¨¾ " þó¾ Á¡¨Éô À¢ÊòÐ즸¡Îí¸û ±ýÚ þáÁÉ¢¼õ ÜÚ§Åý" ±ýÚ ¿¢¨ÉòÐ , Á¢¸ Å¢¨ÃÅ¡¸, ¦ÅüÈ¢ìÌì ¸¡ÃÉÁ¡É Å¢ø¨Ä ¯¨¼Â Å£ÃÉ¡¸¢Â þáÁ¨É «¨¼ó¾¡û.

36. ¬½¢ô ¦À¡É¢ý ¬¸¢ÂÐ ¬ö ¸¾¢Ã¡ø
§º½¢ø ͼ÷¸¢ýÈÐ ¾¢ñ ¦ºÅ¢ ¸¡ø
Á¡½¢ì¸ ÁÂòÐ ´Õ Á¡ý ¯Ç¾¡ø
¸¡Éò¾Ìõ ±ýÈÉû ¨¸ ¦¾¡ØÅ¡û.

þáÁ¨Éì ¨¸ ÜôÀ¢ Å½í¸¢Â º£¨¾ " Á¡üÚÂ÷ó¾ ¦À¡ýÉ¡ø «¨Áó¾Ðõ, ¾ÉÐ §Áɢ¢ý º¢Èó¾ ´Ç¢Â¢É¡ø ¦ÅÌàÃõ À¢Ã¸¡º¢ôÀÐõ, ÅÄ¢¨ÁÂ¡É ¸¡Ð¸Ùõ ¸¡ø¸Ùõ Á¡½¢ì¸ ÁÂÁ¡¸ «¨ÁÂô ¦ÀüÃÐÁ¡É ´Õ Á¡ý þíÌ ÅóÐûÇÐ. «Ð ¸ñÎ ¸Ç¢ì¸ò ¾ì¸Ð' ±ýÚ ¦º¡ýÉ¡û.

Á¡ÂÁ¡ý ±ýÈ¡ý þÄìÌÅý

37. ¬ñÎ «íÌ þÇ¡ý ¯¨Ã¡ÊÉÉ¡ø
§ÅñÎ ±ÉÄ¡ý Å¢¨Æ× «ýÚ þÐ ±É¡
âñ ÐïÍ ¦À¡Äí ¦¸¡Ê§Â¡ö «Ð ¿¡õ
¸¡ñÎõ ±Ûõ ÅûÇø ¸ÕòÐ ¯½÷Å¡ý.

¾ý Á¨ÉÅ¢' þÐ ±ÉìÌ §ÅñÎõ' ±ýÚ ÜÚž¡ø, 'þó¾ Á¡ý Å¢ÕõÀ¾ì¸Ð «ýÚ' ±ýÚÜÈ¡¾ þáÁý, "¬Àýí¸û ¾¡í¸¢Â ¦À¡ü¦¸¡Ê §À¡ýÈŧÇ! ¿£ ¦º¡ýÉ «ó¾ Á¡¨É ¿¡õ ¦ºýÚ À¡÷ô§À¡õ" ±ýÚ ÜȢɡý. þùÅ¡Ú ÜȢ þáÁÉ¢ý ±ñÉò¨¾ «È¢ó¾ þ¨ÇÂÅÉ¡É þÄìÌÁ½ý, «ô§À¡Ð «ó¾ þ¼ò¾¢ø º¢Ä ¦º¡ü¸¨Ç ¦º¡ýÉ¡ý.

38. ¸¡Âõ ¸É¸õ Á½¢ ¸¡ø ¦ºÅ¢ Å¡ø
À¡Ôõ ¯Õ§Å¡Î þÐ ÀñÒ «ÄÅ¡ø
Á¡Âõ ±Éø «ýÈ¢ ÁÉì ¦¸¡Ç§Å
²Ôõ þ¨È ¦Áö «Ä ±ýÈÉÉ¡ø.

" ¦À¡ýÉ¡Ä¡É §ÁÉ¢, Á¡½¢ì¸ÁÂÁ¡É ¸¡ø¸û, ¦ºÅ¢¸û, þÅü¨Èì ¦¸¡ñÎ À¡öóÐ ÅÕ¸¢ýÈ ÅÊÅõ ¦ÀüÈ þó¾ Á¡ý, þÂü¨¸ìÌ ´ò¾Ð «ýÚ. þÐ Á¡ÂÁ¡ý ±ýÚ ±ñϸ. «ùÅ¡Ú ±ñ½¡Áø, ¯ñ¨ÁÂ¡É Á¡ý ±ýÚ ÁÉò¾¢ø ¿¢¨ÉôÀÐ ¦À¡ÕóЧÁ¡? þÐ º¢È¢¾Ç×õ ¦ÁöÂ¡É Á¡ý «ýÚ' ±ýÈ¡ý þÄìÌÁ½ý.

þÂøÀ¡É¾¡¸×õ þÕì¸Ä¡õ ±ýÈ¡ý þáÁý.

39. ¿¢øÄ¡ ¯Ä¸¢ý ¿¢¨Ä §¿÷¨Á¢ɡø
ÅøÄ¡Õõ ¯½÷ó¾¢Ä÷ Áý ¯Â¢÷¾¡õ
Àø ¬Â¢Ã§¸¡Ê ÀÃóÐÇÅ¡ø
þøÄ¡¾É þø¨Ä þÇí ÌÁá.

" þǨÁ ¦À¡Õó¾¢Â ÌÁçÉ! ´Øí¸¡É «È¢Å¢É¡ø ¯Ä¸¢ø ¯ûÄÅü¨Ã «È¢Â ÅøÄÅ÷¸Ùõ, ´Õ ¿¢¨Ä¢ø ¿¢¨Ä¡¸ ¿¢ü¸¡¾ þó¾ ¯Ä¸ò¾¢ý ¿¢¨Ä¨Á¨Â ÓüÚõ ¯½÷ó¾¡÷ «øÄ÷. ¯Ä¸¢ø ¿¢«Ä¢ ¦ÀüÚ Å¡Øõ À¢Ã¡½¢¸û ÀÄ ¬Â¢Ãí§¸¡Ê Ũ¸¸Ç¡¸ô ÀÃÅ¢ÔûÇÉ. ¬¾Ä¡ø, þù×ĸ¢ø þò¾¨¸Â Å¢ÂôÀ¡É À¢Ã¡½¢¸û þøÄ¡Áø þø¨Ä.

40. ±ý ±ýÚ ¿¢¨ÉòÐ þ¨Æò¾Ð ¯Çõ ¿õ
¸ýÉí¸û §ÅÚ °Ä ¸¡ÏÐÁ¡ø
¦À¡ýÉ¢ý ´Ç¢ §ÁÉ¢ ¦À¡Õó¾¢Â ²ú
«ýÉí¸û À¢Èó¾Ð «È¢ó¾¢¨Ä§Â¡

" ¿£ ±ýÉ ¬§Ä¡º¨É¨Âì ¦¸¡ñÎ «ùÅ¡Ú ¸Õ¾¢ì ÜȢɡö? ¿õ ¸¡Ð¸Ç¢É¡ø, ¿õ ¸ñ¸Ç¡ø ¸¡½¡¾ Å¢ÂôÀ¡É À¢Ã¡½¢¸û ¯ûÇÉ ±ýÀ¨¾ì §¸ðÎ «È¢¸¢ý§È¡õ. ¦À¡ý ÁÂÁ¡É ¯¼õ¨À ¦ÀüÈ ²Ø «ýÉô ÀȨŸû §¾¡ýȢ¨¾ ¿£ «È¢ó¾Ð þø¨Ä¡? (ÀÃòÅ¡º ÓÉ¢Åâý ²Ø Ò¾øÅ÷¸û ²Ø ¦À¡ýÉ¢È «ýÉí¸Ç¡¸ §¾¡ýÈ¢É÷ ±ýÀ÷)

41. Ó¨ÈÔõ ÓÊ×õ þ¨Ä ¦Á¡ö ¯Â¢÷ ±ýÚ
þ¨ÈÅý þ¨Ç¡¦É¡Þ þÂøÀ¢ÉÉ¡ø
À¨ÈÔõ Ш½ «ýÉÐ Àø ¦¿È¢ §À¡ö
Á¨ÈÔõ ±É ²¨Æ ÅÕó¾¢ÉÇ¡ø.

þù×ĸò¾¢ø ¿¢¨ÈóÐûÇ À¢Ã¡½¢¸ÙìÌ, þùÅ¡Ú¾¡ý §¾¡ýȧÅñÎõ ±ýÛõ ӨȨÁÔõ, þùÅ¡Ú ¾¡ý «Æ¢Â§ÅñÎõ ±ýÈ ÓÊ×õ þø¨Ä" ±ýÚ þáÁý þÄìÌÁ½Û¼ý ÜȢɡý. «ô§À¡Ð " þùÅ¡Ú ¿£í¸û §Àº¢ì¦¸¡ñÎì ¦¸¡ñÊÕìÌõ§À¡Ð, «ó¾ Á¡ý ÀÄ ÅÆ¢¸Ç¢ø §À¡ö Á¨ÈóРŢÎõ" ±ýÚ º£¨¾ ÜȢɡû.

Á¡¨Éì ¸¡ðÎ ±Éî º£¨¾Ô¼ý þáÁý §À¡¾ø

42. «¨ÉÂÅû ¸Õò¨¾ ¯ýÉ¡ «ïºÉì ÌýÈõ «ýÉ¡û
Ҩɢ¨Æ ¸¡ðÎ «Ð ±ýÚ §À¡Â¢É¡ý ¦À¡È¡¾ º¢ó¨¾ì
¸¨É ¸Æø ¾õÀ¢ À¢ýÒ ¦ºýÈÉý ¸¼ì¸ ´ñ½¡
Å¢¨É ±É ÅóÐ ¿¢ýÈ Á¡ý ±¾¢÷ ŢƢò¾Ð «ý§È.

Á¡Û측¸ ²íÌõ º£¨¾Â¢ý ÁÉì ¸Õò¨¾ ¿¢¨ÉòÐô À¡÷ò¾, ¨ÁõÁ¨Ä §À¡ýÈ þáÁý '¬ÀÃ½í¸¨Ç «½¢ó¾Å§Ç! «ó¾ Á¡¨Éì ¸¡ðθ" ±ýÚ ÜÈ¢, º£¨¾Â¢ý À¢ý§É ¦ºýÈ¡ý. «î¦ºÂ¨Äô ¦À¡ÕòÐ즸¡ûÇ¡¾ ÁÉò¨¾ ¦ÀüÈ ´Ä¢ìÌõ Å£Ãì¸Æ¨Ä «½¢ó¾ ¾õÀ¢Â¡É þÄìÌÁ½ý, «Å÷¸û À¢ý§É ¦ºýÈ¡ý. «ô§À¡Ð ¡áÖõ ¿£ì¸ ÓÊ¡¾ °úÅ¢¨Éô À¨Éô§À¡Ä, «ó¾ Á¡Â Á¡ý ±¾¢§Ã §¾¡ýÈ¢ «Å÷¸¨Ç ŢƢòÐô À¡÷ò¾Ð.

43. §¿¡ì¸¢Â Á¡¨É §¿¡ì¸¢ Ѿ¢Ô¨¼ Á¾¢Â¢ý ´ýÚõ
à츢Äý ¿ýÚ þÐ ±ýÈ¡ý «¾ý ¦À¡Õû ¦º¡øÄø ¬Ìõ
§ºì¨¸Â¢ý «Ã× ¿£í¸¢ô À¢Èó¾Ð §¾Å÷ ¦ºö¾
À¡ì¸¢Âõ ¯¨¼¨Á «ý§È¡ «ýÉÐ ÀØÐ §À¡§Á¡.

±¾¢§Ã §¾¡ýȢ «ó¾ Á¡¨É À¡÷ò¾ þáÁý, ¾ÉÐ Ññ½¢Â «È¢Å¢É¡ø ±¨¾Ôõ ¬Ã¡öóÐ À¡÷측Áø "þó¾ Á¡ý Á¢¸ ¿ýÈ¡¸ þÕ츢ÈÐ" ±ýÚ ÜȢɡý. ±øÄ¡õ ÅøÄ þ¨ÈÅÉ¡É þáÁý «ùÅ¡Ú ÜȢ¾ý ¯ð¦À¡Õ¨Ç ¿¡õ Å¢Ç츢 ¦º¡øÄÄ¡õ. ¾¢ÕÁ¡ø À¡ü¸¼Ä¢ø ¯ûÇ ¬¾¢§º¼É¡¸¢Â ÀÎ쨸¨Â Å¢ÎòÐ, þáÁÉ¡¸ þíÌ À¢Èó¾Ð §¾Å÷¸û ¦ºö¾ À¡ì¸¢Âò¾¡ø «øÄÅ¡? «ó¾ À¡ì¸¢Âõ Å£½¡ÌÁ¡? Å£½¡¸¡Ð.

44. ±ý ´ìÌõ ±ýÉø ¬Ìõ þ¨ÇÂÅ þ¾¨É §¿¡ì¸¡ö
¾ý ´ìÌõ ¯Å¨Á «øÄ¡ø ¾¨É ´ìÌõ ¯Å¨Á ¯ñ§¼¡
Àø ¿ì¸ ¾ÃÇõ ´ìÌõ ÀÍõÒø §Áø À¼Õõ ¦Áø¿¡
Á¢ý ´ìÌõ ¦ºõ¦À¡ý §ÁÉ¢ ¦ÅûǢ¢ý Å¢ÇíÌõ ÒûÇ¢.

¾õÀ¢! þó¾ Á¡¨ÉôÀ¡÷! þó¾ Á¡ÛìÌ ±ó¾ ¦À¡Õû ¯Å¨Á¡Ìõ ±ýÚ ¦º¡øÄ ÓÊÔÁ¡? ÓÊ¡Ð. þÐ ¾ÉìÌ ¾¡§É ¯Å¨Á ¬Ì§Á «ýÈ¢ , þ¾üÌ ¦À¡Õò¾Á¡É ¯Å¨Á ¦À¡Õû ¯Ä¸¢ø ¯ñ§¼¡? þø¨Ä. þó¾ Á¡É¢ý Àü¸û, ´Ç¢Å£Íõ ÓòÐì¸¨Ç ´ò¾É: ÀͨÁÂ¡É ÒøÄ¢ý Á£Ð À¼Õ¸¢ýÈ þ¾ý ¿¡ìÌ Á¢ýÉ¨Ä §À¡ýÈÐ.. þ¾ý ¯¼õÒ ¦ºõ¦À¡ýÉ¡ø ¬ÉÐ. ¯¼õÀ¢ø ¯ûÇ ÒûÇ¢¸û ¦ÅûÇ¢ §À¡ø Å¢Çí̸¢ýÈÉ.

45. Åâ º¢¨Ä Á¨È ŧġ§É Á¡ý þ¾ý ÅʨŠ¯üÈ
«Ã¢¨ÅÂ÷ ¨Áó¾÷ ¡§Ã ¬¾Ãõ Ü÷¸¢Ä¡¾¡÷
¯Õ¸¢Â ÁÉò¾ ¬¸¢ °÷Åý ÀÈôÀ ¡×õ
Ţâͼ÷ Å¢Çì¸õ ¸ñ¼ Å¢ðÊø §À¡ø Å£úÅ ¸¡½¡ö.

" ¸ð¼¨Áó¾ Å¢ø áÄ¢ø ÅøÄŧÉ! þó¾ Á¡É¢ý «Æ¸¢Â ÅÊÅò¨¾ ¯üÚô À¡÷ò¾ Á¸Ç¢Ã¢Öõ, ¬¼ÅâÖõ þ¾É¢¼õ ¬¨º ¦¸¡ûÇ¡¾Å÷ ±Å÷? ±ÅÕõ þø¨Ä. °÷óÐ ¦ºøÖõ À¢Ã¡½¢¸Ùõ ÀÈóÐ ¦ºøÖõ ÀȨŸÙõ ӾĢ «¨ÉòÐõ þ¾¨Éì ¸ñÎ þ¾É¢¼õ ¦¸¡ñ¼ ¬¨ºÂ¡ø ¯Õ¸¢Â ÁÉò¨¾ ¯¨¼ÂÉÅ¡ö, ÀÃŢ ´Ç¢¨Â ¯¨¼Â Å¢Ç쨸 À¡÷ò¾ Å¢ðÊø â¸¨Çô§À¡Ä, ÅóРŢØŨ¾ô À¡÷ôÀ¡Â¡¸".

46. ¬Ã¢Âý «¨É ÜÈ «ýÉÐ ¾ý¨É §¿¡ì¸¢
º£Ã¢ÂÐ «ýÚ þÐ ±ýÚ º¢ó¨¾Â¢ø ¦¾Ç¢ó¾ ¾õÀ¢
¸¡Ã¢Âõ ±ý¨É ®ñÎì ¸ñ¼Ð ¸É¸ Á¡§Éø
§Åâ «õ ¦¾Ã¢Âø ţà Á£ûŧ¾ §Áý¨Á ±ýÈ¡ý.

þáÁý þùÅ¡Ú ÜȢɡý. «ó¾ Á¡¨Éô À¡÷òÐ, "þÐ ¯ñ¨ÁÂ¡É Á¡ý «ýÚ" ±ýÚ ÁÉò¾¢ø ¦¾Ç¢Å¡¸ ¯½÷óÐ ¦¸¡ñ¼ þÄìÌÁ½ý, " Å¡ºÓõ ÅÉôÒõ Á¢ì¸ Á¡¨Ä «½¢ó¾ ţçÉ! þí§¸ ¸¡ÉôÀÎÅÐ ¦À¡ýÉ¡Ä¡É Á¡É¡¸ þÕó¾¡Öõ, þ¾É¡ø ¿ÁìÌ ¬¸ §ÅñÊ ¦ºÂø ±ýÉ þÕ츢ÈÐ? ´ýÚõ þø¨Ä. «¾É¡ø ¿¡õ þí¸¢ÕóÐ ¾¢ÕõÀ¢ ¦ºøŧ¾ º¢Èó¾ ¦ºÂø" ±ýÚ ÜȢɡý.

47. «üÚ «Åý À¸Ã¡ÓýÉõ «Æ¸¨É «Æ¸¢Â¡Ùõ
¦¸¡üÈÅý ¨Áó¾ Áü¨Èì ̨Æר¼ ¯¨Æ¨Â Åø¨Ä
ÀüÈ¢¨É ¾Õ¾¢ ¬Â¢ý À¾¢Â¢¨¼ «Å¾¢ ±ö¾ô
¦ÀüÚ¾¢ þɢР¯ñ¼¡¼ô ¦ÀÈüÌ «Õ󾨸¨ÁòÐ ±ýÈ¡û.

«ùÅ¡Ú þÄìÌÁ½ý ¦º¡øÄ¢ ÓÊìÌõ Óý§É, «Æ¸¢Â¡É º£¨¾Ôõ, «Æ¸É¡É þáÁ¨É §¿¡ì¸¢" ºìÃÅ÷ò¾¢ ¾¢ÕÁ¸§É! ¸ñ¼Å÷ ÁÉò¨¾ ¯Õ¸ ¦ºöÔõ þó¾ Á¡¨É Å¢¨ÃÅ¡¸ À¢ÊòÐì ¦¸¡Îò¾¡ø, þÐ ÅÉÅ¡ºõ ¦ºöÔõ þ측Äò¾¢ø ¿¡õ ¾í¸¢Â¢ÕìÌõ þ¼ò¾¢ø ÅÕò¾õ ²üÀÎõ§À¡Ð, «Ð ¿£íÌÁ¡Ú þÉ¢¨Á¡¸ Å¢¨Ç¡ÎžüÌô ¦ÀÚžüÌ «Ã¢Â º¢ÈôÒ¨¼ÂÐ ¬Ìõ" ±ýÚ ÜȢɡû.

[Kajan]

Could it be possible to give meaning of rare Tamil words also ?

Kajan

[R.Srinivasan]

48. Á¡¨ÉôÀüÈ¢ þáÁÛõ þÄìÌÅÛõ Á¡ÚÀ¼ø.

³Â Ññ ÁÕíÌø ¿í¨¸ «·Ð ¯¨Ã ¦ºö³Âý
¦ºö¦Åý ±ýÚ «¨Á §¿¡ì¸ò ¦¾Ç¢×¨¼ ¾õÀ¢ ¦ºôÒõ
¦Åö Åø «Ãì¸÷ Åïºõ Å¢ÕõÀ¢É¡÷ Å¢¨É¢ý ¦ºö¾
¨¸¾Å Á¡ý ±ýÚ «ñ½ø ¸¡Ï¾¢ ¸¨¼Â¢ý ±ýÈ¡ý.

"¯ñ§¼¡, þø¨Ä§Â¡? ±ýÛõ ³Âò¨¾ ¯ñ¼¡ìÌõ Ññ½¢Â þ¨¼¨Â ¦ÀüÈ º£¨¾ «ùÅ¡Ú ÜÈ¢ÂÐõ " «ùÅ¡§È À¢ÊòÐ ¾Õ¸¢ý§Èý" ±ýÚ ºõÁ¾¢ò¾¡ý,þáÁý. À¡÷ò¾ Á¡ò¾¢Ãò¾¢ø ´ýÈý ¯ñ¨Á¨Âò ¦¾Ç¢Å¡¸ ¯½ÃÅøÄ þÄìÌÁ½ý " «ñ½§Ä! ¦¸¡Î¨ÁÔõ ÅÄ¢¨ÁÔõ ¦¸¡ñ¼ «Ãì¸÷¸û, Åïº¸î ¦ºÂø ¦ºö ŢÕõÀ¢, ¾ó¾¢ÃÁ¡¸î ¦ºöÐ «ÛôÀ¢Â Á¡ÂÁ¡ý þÐ ±ýÀ¨¾ ÓÊÅ¢ø ¿£ °½ÕÅ¡ö" ±ýÈ¡ý.

49. Á¡Â§Áø ÁÊÔõ ±ý¾ý šǢ¢ý ÁÊó¾§À¡Ð
¸¡ö º¢Éò¾Å¨Ãì ¦¸¡ýÚ ¸¼ý ¸Æ¢ò§¾¡Óõ ¬Ðõ
৾ø ÀüÈ¢ì §¸¡Îõ ¦º¡øĢ þÃñÊý ´ýÚ
¾£Â§¾ ¯¨Ãò¾¢ ±ýÈ¡ý §¾Å¨Ã þÎì¸ñ ¾£÷ôÀ¡ý.

§¾Å÷¸Ç¢ý ÐýÀò¨¾ ¿£ìÌõ ¦À¡ÕðÎò §¾¡ýÈ¢ÂÅÉ¡É þáÁý, " ¿£ ¦º¡ýÉÀÊ þÐ Á¡Â Á¡É¡¸ þÕó¾¡ø ±ÉÐ «õÀ¢É¡ø þÈìÌõ. «ùÅ¡Ú þÈìÌõ §À¡Ð, ¦¸¡¾¢ìÌõ §¸¡Àõ ¦¸¡ñ¼ÅÃ¡É «Ã츨Ãì ¦¸¡ýÚ ¿ÁÐ ¸¼¨Á¨Â ¦ºöÐ ÓÊò¾Åá§Å¡õ. ¿¡ý ¿¢¨É츢ýÈÀÊ þÐ ¯ñ¨ÁÂ¡É Á¡É¡¸ þÕó¾¡ø À¢ÊòÐì ¦¸¡û§Å¡õ.¿¡ý þô§À¡Ð ÜȢ þÃñÎ ¦ºÂø¸Ùû ²§¾Ûõ ´ýÚ ¾£¨Á¡ɾ¡? ¦º¡øÖ¸" ±ýÈ¡ý.

50. À¢ý ¿¢ýÈ¡÷ þ¨ÉÂ÷ ±ýÚõ ¯½÷¸¢Äõ À¢Êò¾ Á¡Âõ
±ý ±ýÚõ ¦¾Ç¢¾ø §¾üÈ¡õ ¡ÅÐ ®Ð ±ýÚõ µÃ¡õ
Óý ¿¢ýÈ Ó¨È¢ý ¿¢ýÈ¡÷ ÓÉ¢óÐÇ §Åð¼õ ÓüÈø
¦À¡ý ¿¢ýÈ Å¢Ãò §¾¡Ç¡ö Ò¸ú ¯¨¼ò¾¡õ «ýÚ ±ýÈ¡ý.

" «ÆÌ ¿¢¨Ä¦ÀüÚûÇ, Å¢Ãõ §À¡Ä ¯Ú¾¢Â¡É §¾¡û¸¨Ç ¯¨¼ÂŧÉ! þó¾ Á¡¨É Óý§É «ÛôÀ¢, þ¾ý À¢ý§É Á¨ÈóÐ ¿¢üÀÅ÷ þò¾ýÁÂ÷ ±ýÀ¨¾ ¿¡õ «È¢ÂÁ¡ð§¼¡õ. «Å÷¸û ¦¸¡ñÎûÇ Á¡Â ÅÊÅõ ±ò¾ý¨ÁÂÐ ±ýÀÐ ¦¾Ç¢Å¡¸ ¿ÁìÌ ¦¾Ã¢Â¡Ð. þó¾ Á¡ý ±ó¾ Á¡ý ±ýÀ¨¾ ¿¡õ ¯½ÃÅ¢ø¨Ä.

¿£ñ¼ ¸¡ÄÁ¡¸ ¿¢¨Ä ¦ÀüÚ ¿¢ýÈ ¿£¾¢ ӨȢø ÅƢ¢§Ä ¿¢ýÈ ¦ÀâÂÅ÷¸û ¦ÅÚòРŢÄ츢Ţ𼠧Åð¨¼Â¡Î¾¨Ä ¿£ §Áü¦¸¡ûÙÅÐ Ò¸ú ¯¨¼Â ¦ºÂø ¬¸¡Ð" ±ýÈ¡ý, þÄìÌÁ½ý.

51. À¨¸Ô¨¼ «Ãì¸÷ ±ýÚõ ÀÄ÷ ±ýÚõ À¢Öõ Á¡Âõ
Á¢¨¸Â¢¼òÐ ±ýÚõ âñ¼ Ţþò¨¾ Å¢ÎÐõ ±ýÈø
¿¨¸Ô¨¼òÐ ¬Ìõ «ý§È ¬¾Ä¢ý ¿ýÚ þÐ ±ýÉ¡
¾¨¸Ô¨¼ò ¾õÀ¢ìÌ «ó¿¡û ºÐÓ¸ý ¾¡¨¾ ¦º¡ýÉ¡û.

'±øġâ¼Óõ À¨¸¨Á¨Â ¯¨¼Â «Ãì¸÷¸û ±ýÀ¾¡Öõ, «Å÷¸û ±ñ½¢ì¨¸Â¢ø Á¢¸ô ÀÄ÷ ±ýÀ¾¡Öõ «Å÷¸û ¦ºöÔõ Á¡Âî ¦ºÂø¸û «ÇÅüȨŠ±ýÀ¾¡Öõ, «Å÷¸¨Ç «Æ¢ôÀ¾¡¸ ¿¡õ ¦¸¡ñ¼ ¯Ú¾¢¨Â ¨¸Å¢Î§Å¡õ ±ýÚ ±ñÏÅÐ ±ûÇ¢ ¿¨¸ì¸ò¾ì¸Ð. ¬¨¸Â¡ø, þó¾ Á¡¨Éô À¢Êì¸ ¦ºøÅÐ ¿øħ¾" ±ýÕ ¾Ì¾¢ Á¢Ìó¾ ¾ý ¾õÀ¢ìÌ À¢ÃÁÉ¢ý ¾ó¨¾Â¡É þáÁý «ô§À¡Ð ÜȢɡý.

52. «Îò¾×õ ±ñ½¢î ¦ºö¾ø «ñ½§Ä «¨Á¾¢ «ý§È¡
Å¢ÎòÐ þ¾ý À¢ý ¿¢ýÈ¡÷¸û ÀÄ÷ ¯Ç÷ ±É¢Ûõ Å¢øÄ¡ø
¦¾¡Îò¾ ¦Åõ À¸Æ¢ àÅ¢ò ¦¾¡¼÷ó¾¦Éý Å¢¨ÃóÐ ¦ºýÚ
ÀÎì̦Åý «Ð «ýÚ ¬Â¢ý ÀüÈ¢¦Éý ¦¸¡½÷¦Åý ±ýÈ¡ý.

"¾¨Ä¨Áì ̽õ ¦À¡Õó¾¢ÂŧÉ! ¾Ì¾¢Â¡É ¦ºÂø¸¨ÇÔõ, ÓýÉ÷ ¬§Ä¡º¢òÐô À¢ýÉ÷ ¦ºöÅÐ ²üÈÐ «øÄÅ¡/ þó¾ Á¡Â Á¡¨É Óý§É «ÛôÀ¢, þ¾ý À¢ý§É ¿¢ýÈ À¨¸Å÷¸û ÀÄ÷ ¯ûÇÉ÷ ±ýÈ¡Öõ, ±ý Å¢øĢɡø ¦¾¡Îì¸ôÀÎõ ¦¸¡Ê «õÒ¸¨Ç Á¢Ì¾¢Â¡¸ ¦ºÖò¾¢ þõÁ¡¨É ¦¾¡¼÷óÐ ¦ºýÚ «Å÷¸¨Ç Å¢¨ÃÅ¡¸ ¦¸¡ø§Åý. þÐ Á¡Â Á¡ý «ýÚ ¯ñ¨ÁÂ¡É Á¡ý ¾¡ý ±ýÈ¡ø, þ¨¾ À¢ÊòÐì ¦¸¡ñÎ ÅÕ§Åý" ±ýÈ¡ý þÄìÌÁ½ý.

53. ¬Â¢¨¼ «ýÉõ «ýÉ¡û «ÓÐ ¯Ìó¾¨É ¦ºöÂ
š¢¨¼ ÁÆ¨Ä þý ¦º¡ø¸¢Ç¢Â¢É¢ý ÌÆÈ¢ Á¡ú¸¢
¿¡Â¸ ¿£§Â Àü⠿ĸ¨Ä§À¡Öõ ±ýÉ¡
§ºÂâì ÌÅ¨Ç Óò¾õ º¢óÐÒ º£È¢ô §À¡É¡û.

«ó¾ ºÁÂò¾¢ø, «ýÉõ §À¡ýÈÅÇ¡É º£¨¾ ÅÕó¾¢ «Ó¾ò ÐÇ¢¸¨Çî º¢ó¾¢É¡ü §À¡Äò ¾ÉÐ º¢Åó¾ š¢ĢÕóÐ ÅÕõ ÁƨÄî ¦º¡ü¸Ç¡ø ¸¢Ç¢ ¦¸¡ïÍÅÐ §À¡Äì ¦¸¡ïº¢ô §Àº¢, " ¿¡Â¸§É! þó¾ Á¡¨É ¿£§Â À¢ÊòÐì ¦¸¡Îì¸ Á¡ð¼¡ö §À¡Öõ" ±ýÚ ÜÈ¢, º¢Åó¾ Åâ¸û À¼÷ó¾ ÌÅ¨Ç ÁĨÃô §À¡ýÈ ¸ñ¸Ç¢ø þÕóÐ ÓòÐô §À¡ýÈ ¿£÷òÐÇ¢¸¨Çî º¢ó¾¢ º¢Éõ ¦¸¡ñÎ, «í¸¢ÕóÐ À÷½º¡¨Ä¨Â §¿¡ì¸¢ ¦ºýÈ¡û.

54. þáÁý ÁðÎõ Á¡¨Éò ¦¾¡¼÷¾ø

§À¡ÉÅý ÒÄÅ¢ §¿¡ì¸¢ ÒÃÅÄý ¦À¡Äý ¦¸¡û ¾Ã¡ö
Á¡ý þп¡§É Àüâ Åø¨Ä¢ý ÅÕ¦Åý ¿ý§È
¸¡ý þÂø Á¢ø «ýÉ¡¨Ç ¸¡ò¾¨É þÕò¾¢ ±ýÉ¡
§Åø ¿Ì ºÃÓõ Å¢øÖõ Å¡í¸¢Éý Å¢¨ÃÂÖüÈ¡ý.

«ùÅ¡Ú ¦ºýÈ º£¨¾Â¢ý À¢½ì¨¸ô À¡÷ò¾ þáÁý, þÄìÌÁ½¨Éô À¡÷òÐ " «Æ¸¢Â Á¡¨Ä «½¢ó¾Å§É þó¾ Á¡¨É ¿¡§É §À¡öô À¢ÊòÐì ¦¸¡ñΠިÃÅ¡¸ Á£ñÎ ÅÕ§Åý. «ÐŨâø ¸¡ðʧı ¯Ä×õ Á¢¨Äô §À¡ýÈ º£¨¾¨Â ¿£ ¸¡òÐ즸¡ñÎ þÕ" ±ýÚ ÜÈ¢ §Å¨Ä ±ÎòÐ즸¡ñÎ §Å¸Á¡¸î ¦ºøÄò ¦¾¡¼í¸¢É¡ý.

55. ÓýÉÓõ Á¸Å¡ö Åó¾ ãÅâø ´ÕÅý §À¡É¡ý
«ýÉ Á¡Ã£ºý ±ý§È «Â¢÷ò¾Éý þ¾¨É ³Â
þýÉÓõ ¸¡ñÊ Å¡Æ¢ ²Ì ±É þÕ ¨¸ ÜôÀ¢
¦À¡ý «É¡û Òì¸ º¡¨Ä ¸¡ò¾Éý ÒÈòÐ ¿¢ý§È

¯¼§É þÄìÌÁ½ý," ÓýÒ Å¢ŠÅ¡Á¢ò¾¢Ãý §ÅûŢ¢ý §À¡Ð ùó¾ ¾¡¼¨¸ - ÍÀ¡Ì- Á¡Ã£ºý ¬¸¢Â «Ãì¸÷ ãÅÕû ´ÕÅý þÈ측Áø ¾ôÀ¢ ¯Â¢§Ã¡Î §À¡É¡ý. «ó¾ Á¡Ã£º§É þó¾ Á¡ý ±ýÚ ³ÔÚ¸¢§Èý. ³Â§É! þýÛõ º¢È¢Ð §¿Ãò¾¢ø ¯ñ¨Á¨Â ¿£Ôõ ¸¡ñÀ¡ö. þô§À¡Ð ¦ºø¸! þýÉø ²Ðõ ²üÀ¼¡Áø Å¡ú¸" ±ýÚ þáÁ¨É §¿¡ì¸¢ þÃñÎ ¨¸¸¨Çì ÌÅ¢òÐ Å½í¸¢ì ÜȢ À¢ýÒ, ¦À¡ý §À¡ýÈ º£¨¾ ÒÌó¾ À÷½º¡¨Ä¨Â, «Åý ¦ÅÇ¢§Â ¿¢ýÚ, ¸¡òÐ즸¡ñÊÕó¾¡ý.

56. Áó¾¢ÃòÐ þ¨Ç§Â¡ý ¦º¡ýÉ Å¡ö¦Á¡Æ¢ ÁÉòÐ즸¡ûÇ¡ý
ºó¾¢Ã÷ìÌ ¯Å¨Á º¡ýÈ Å¾Éò¾¡û ºÄò¨¾ §¿¡ì¸¢
º¢óÐÃô ÀÅÄî ¦ºùÅ¡ö ÓÚÅÄý º¢¸Ãî ¦ºùÅ¢î
Íó¾Ãò §¾¡Ç¢É¡ý «õ Á¡É¢¨É ¦¾¡¼ÈÖüÈ¡ý.

Á¨Ä¸Ãò¨¾ô §À¡ýÈ þÂøÀ¢¨Éô ¦ÀüÈ «Æ¸¢Â §¾¡û¸¨Ç ¯¨¼Â þáÁý, ÅÕõ ¦À¡Õ¨Ç ¬Ã¡öóÐ «È¢óÐ ÜÚõ ¬üÈø ¦ÀüÈ þÄìÌÁ½ý ÜȢ ¯Ú¾¢ ¦Á¡Æ¢¸¨Ç Áɾ¢ø ²üÚ즸¡ûÇ¡Áø , ÓØ ºó¾¢ÃÛìÌ ¯Å¨Á¡¸ «¨Áó¾, ¾¢ÕÓ¸ò¨¾ ¯¨¼Â º£¨¾Â¢ÉÐ º¢Éò¨¾ ¿¢¨ÉòÐ, º¢óàÃÓõ ÀÅÆÓõ §À¡Äî º¢Åó¾ ¾ÉРš¢§Ä Òýɨ¸ ¦À¡Õó¾¢ÂÅÉ¡ö, «ó¾ Á¡¨Éò ¦¾¡¼÷óÐ ¦ºøÄÄ¡É¡ý.

57. Á¢¾¢ò¾Ð ¦ÁøÄ ¦ÁøÄ ¦ÅÈ¢ò¾Ð ¦ÅÕÅ¢ Á£¾¢ø
̾¢ò¾Ð ¦ºÅ¢¨Â ¿£ðÊì ÌÃÀ¾õ ¯Ãò¨¾ì ÜðÊ
¯¾¢òÐ ±Øõ °¨¾ ¯ûÇõ ±ýÚ þ¨Å ¯ÕÅî ¦ºøÖõ
¸¾¢ìÌ ´Õ ¸ÄÅ¢ §Å§È ¸¡ðÎÅÐ ´ò¾Ð «ý§È.

«ó¾ Á¡ÂÁ¡ý ¦ÁøÄ ¦ÁøÄ ¿¢Äò¾¢ø «Ê¨ÅòÐ Á¢¾¢òÐ ¿¼ó¾Ð; ¦ÅÈ¢òÐ À¡÷ò¾Ð. ÀÂí¦¸¡ñÎ §Á§Ä ¾¡Å¢ì ̾¢ò¾Ð; ¸¡Ð¸¨Ç ¦¿È¢òÐ ¿£ðÊ즸¡ñÎ , ÌÇõÒ¸¨Ç ¯¨¼Â ¸¡ø¸¨Ç Á¡÷À¢ø ÀÎÁ¡Ú ¦ºöЦ¸¡ñÎ §Á§Ä ±ØõÀ¢ì ̾¢òÐô À¢ýÒ, ¾¢Ë¦ÃýÚ §¾¡ýÈ¢ Å£Íõ ¸¡üÚõ, ÁÉÓõ ±ýÛõ þ¨Å ¾¨¼Â¢ýÈ¢ Å¢¨ÃÅ¡¸ ¦ºøÖõ µð¼ò¾¢üÌ ´Õ Ò¾¢Â Ũ¸¨Âò ¾¡ý ¸¡ðÊì ¸üÚì ¦¸¡ÎôÀ¨¾ §À¡Ä ¾¢¸úó¾Ð.

58. ¿£ðÊÉ¡ý ¯Ä¸õ ãýÚõ ¿¢ýÚ ±ÎòÐ «Çó¾ À¡¾õ
Á£ðÎõ ¾¡û ¿£ð¼üÌ «õÁ¡ §ÅÚõ µ÷ «ñ¼õ ¯ñ§¼¡
µðÊÉ¡ý ¦¾¡¼÷ó¾ ¾ý¨É ´Æ¢× «È ¿¢¨Èó¾ ¾ý¨Á
¸¡ðÊÉ¡ý «ýÈ¢ «ýÚ «ì ¸Î¨Á ¡÷ ¸½¢ì¸üÀ¡Ä¡÷.

þáÁý, ÓýÒ ¾¢Ã¢Å¢ì¸¢ÃÁÉ¡¸¢ Å¢ÍÅåÀõ ±ÎòÐ ¿¢ýÚ, ãýÚ ¯Ä¸í¸¨ÇÔõ «Çó¾ ¾ý ¾¢ÕÅʸ¨Ç, þô§À¡Ð Á¡¨Éô À¢ý ¦¾¡¼Ã, ¿£ðÊ ¿¼ó¾¡ý. ÁÚÀÊÔõ ¾¢ÕÅʨ ¿£ðÊ ¿¼ôÀ¾üÌ þó¾ «ñ¼ò¨¾ ¾Å¢Ã §Å§È¡÷ «ñ¼õ ¯ûǧ¾¡? þø¨Ä.

«ò¾¨¸Â º¢ÈôÒô ¦ÀüÈ ¾¢ÕÅʸ¨Çì ¦¸¡ñÎ µÊ «ó¾ Á¡¨Éò ÐÃò¾¢É¡ý. «ùÅ¡Ú Á¡¨Éò ¦¾¡¼÷óÐ ¦ºýÚ, ¾ÉÐ þ¨¼Â£Î þøÄ¡Áø ±íÌõ ¿¢¨Èó¾¢ÕìÌõ ¾ý¨Á¨Â ¦ÅÇ¢ôÀÎò¾¢É¡ý ±ýÚ ¦º¡øŨ¾ò ¾Å¢Ã «ô§À¡Ð «Åý µÊ µð¼ò¾¢ý §Å¸ò¨¾ «ÇÅ¢ðÎ ÜÈò¾ì¸Å÷ ¡÷? ±ÅÕõ þø¨Ä.

59. ÌýÈ¢¨¼ þÅÕõ §Á¸ìÌØÅ¢¨¼ì ̾¢ìÌõ ܼî
¦ºýÈ¢Êý «¸¦Äªõ ¾¡Æ¢ý ¾£ñ¼ø ¬õ ¾¨¸¨ÁòÐ ¬Ìõ
¿¢ýȧ¾ §À¡Ä ¿£íÌõ ¿¢¾¢ÅÆ¢ §¿Âõ ¿£ðÎõ
ÁýÈø «õ §¸¡¨¾ Á¡¾÷ ÁÉõ ±Éô §À¡Â¢üÚ «õÁ¡.

«ó¾ Á¡ÂÁ¡ý, Á¨Ä¸Ä¢ø ²Úõ. «í¸¢ÕóÐ §Á¸ì Üð¼í¸Ç¢ø ÐûÇ¢ô À¡Ôõ. Å¢¼¡Ð «¨¾ «Ê¦Â¡üÈ¢î ¦ºýÈ¡ø, ¦ÅÌàÃõ Ţĸ¢ ¦ºøÖõ. ¦¾¡¼÷óÐ ¦ºøÄ¡Áø º¢È¢Ð ¾¡Á¾õ ¦ºö¾¡ø, ¨¸Â¡ø ¦¾¡¼ìÜÊ àÃò¾¢ø ¿¢üÌõ.Á£ñÎõ ¦¾¡¼÷ó¾¡ø ±ùÅÄ× Å¢¨ÃÅ¢ø ¿¢ýȧ¾¡ «ùÅÇ× Å¢¨ÃÅ¡¸ µÊô§À¡Ìõ. þùÅ¡Ú Àø§ÅÚ Å¨¸Â¢ø ¦ºøÖõ «ó¾ Á¡ý, ¬¼Å÷¸Ç¢¼õ ¬¨º ¦¸¡ûÇ¡Áø, «Å÷¸û ¾Õõ ¦À¡ÕÇ¢¼õ «ô¦À¡ÕÙ째üÀ ¬¨º ¦¸¡ûÙõ §Åº¢Â÷¸Ç¢ý ÁÉò¨¾ô §À¡Äò ¾¢¸úó¾Ð.

60. ¸¡Âõ §ÅÚ ¬¸¢ ¦ºöÔõ ¸ÕÁõ §ÅÚ ¬¸¢üÚ «ý§È
²Ô§Á ±ýÉ¢ý ÓýÉõ ±ñ½§Á þÇÅüÌ ¯ñ§¼
¬Ô§Áø ¯Ú¾ø ¦ºøÄ¡õ «Ãì¸÷ ¬ÉÅ÷¸û ¦ºö¾
Á¡Â§Á ¬Â§¾ ¿¡ý ÅÕó¾¢ÂÐ ±ýÈ¡ý ÅûÇø.

"þó¾ Á¡É¢ý ÅÊÅõ, þÂü¨¸Â¡É Á¡É¢ý ÅÊÅò¾¢ø þÕóÐ §ÅÈ¡¸ þÕó¾Ð¨¸Ð ¦ºöÔõ ¦ºÂÖõ ´Õ Á¡É¢ý ¦ºÂÄ¢ø þÕóÐ §ÅÚ À𼾡¸ ¬¸¢Å¢ð¼Ð «øÄÅ¡? þó¾ ±ñ½õ, ±ÉìÌò §¾¡ýÚžüÌ ÓýÒ þÄìÌÁ½ÛìÌò §¾¡ýÈ¢ÂÐ. þó¾ ±ñ½õ ¦À¡ÕóÐÅÐ ¬Ìõ.. þ¾¨É Óýɧà ¿¡õ ¬Ã¡öóÐ À¡÷ò¾¢Õó¾¡ø, þ¨¾ À¢ý ¦¾¡¼÷óÐ Åó¾¢Õì¸Á¡ð§¼¡õ. þùÅÄ× àÃõ µÊ ÅóÐ ¿¡ý ÅÕò¾õ «¨¼Âì ¸¡ÃÉõ, «Ãì¸÷ ±ýÀÅ÷ ¦ºö¾ Á¡¨Â§Â ¬Ìõ" ±ýÚ ÅûÇÄ¡¸¢Â þáÁý ¯ûÇò¾¢ø ¿¢¨Éò¾¡ý.

[R.Srinivasan]

61. þáÁý ÁðÎõ Á¡¨Éò ¦¾¡¼÷¾ø

§À¡ÉÅý ÒÄÅ¢ §¿¡ì¸¢ ÒÃÅÄý ¦À¡Äý ¦¸¡û ¾Ã¡ö
Á¡ý þп¡§É Àüâ Åø¨Ä¢ý ÅÕ¦Åý ¿ý§È
¸¡ý þÂø Á¢ø «ýÉ¡¨Ç ¸¡ò¾¨É þÕò¾¢ ±ýÉ¡
§Åø ¿Ì ºÃÓõ Å¢øÖõ Å¡í¸¢Éý Å¢¨ÃÂÖüÈ¡ý.

«ùÅ¡Ú ¦ºýÈ º£¨¾Â¢ý À¢½ì¨¸ô À¡÷ò¾ þáÁý, þÄìÌÁ½¨Éô À¡÷òÐ " «Æ¸¢Â Á¡¨Ä «½¢ó¾Å§É þó¾ Á¡¨É ¿¡§É §À¡öô À¢ÊòÐì ¦¸¡ñΠިÃÅ¡¸ Á£ñÎ ÅÕ§Åý. «ÐŨâø ¸¡ðʧı ¯Ä×õ Á¢¨Äô §À¡ýÈ º£¨¾¨Â ¿£ ¸¡òÐ즸¡ñÎ þÕ" ±ýÚ ÜÈ¢ §Å¨Ä ±ÎòÐ즸¡ñÎ §Å¸Á¡¸î ¦ºøÄò ¦¾¡¼í¸¢É¡ý.

62. ÓýÉÓõ Á¸Å¡ö Åó¾ ãÅâø ´ÕÅý §À¡É¡ý
«ýÉ Á¡Ã£ºý ±ý§È «Â¢÷ò¾Éý þ¾¨É ³Â
þýÉÓõ ¸¡ñÊ Å¡Æ¢ ²Ì ±É þÕ ¨¸ ÜôÀ¢
¦À¡ý «É¡û Òì¸ º¡¨Ä ¸¡ò¾Éý ÒÈòÐ ¿¢ý§È

¯¼§É þÄìÌÁ½ý," ÓýÒ Å¢ŠÅ¡Á¢ò¾¢Ãý §ÅûŢ¢ý §À¡Ð ùó¾ ¾¡¼¨¸ - ÍÀ¡Ì- Á¡Ã£ºý ¬¸¢Â «Ãì¸÷ ãÅÕû ´ÕÅý þÈ측Áø ¾ôÀ¢ ¯Â¢§Ã¡Î §À¡É¡ý. «ó¾ Á¡Ã£º§É þó¾ Á¡ý ±ýÚ ³ÔÚ¸¢§Èý. ³Â§É! þýÛõ º¢È¢Ð §¿Ãò¾¢ø ¯ñ¨Á¨Â ¿£Ôõ ¸¡ñÀ¡ö. þô§À¡Ð ¦ºø¸! þýÉø ²Ðõ ²üÀ¼¡Áø Å¡ú¸" ±ýÚ þáÁ¨É §¿¡ì¸¢ þÃñÎ ¨¸¸¨Çì ÌÅ¢òÐ Å½í¸¢ì ÜȢ À¢ýÒ, ¦À¡ý §À¡ýÈ º£¨¾ ÒÌó¾ À÷½º¡¨Ä¨Â, «Åý ¦ÅÇ¢§Â ¿¢ýÚ, ¸¡òÐ즸¡ñÊÕó¾¡ý.

63. Áó¾¢ÃòÐ þ¨Ç§Â¡ý ¦º¡ýÉ Å¡ö¦Á¡Æ¢ ÁÉòÐ즸¡ûÇ¡ý
ºó¾¢Ã÷ìÌ ¯Å¨Á º¡ýÈ Å¾Éò¾¡û ºÄò¨¾ §¿¡ì¸¢
º¢óÐÃô ÀÅÄî ¦ºùÅ¡ö ÓÚÅÄý º¢¸Ãî ¦ºùÅ¢î
Íó¾Ãò §¾¡Ç¢É¡ý «õ Á¡É¢¨É ¦¾¡¼ÈÖüÈ¡ý

Á¨Ä¸Ãò¨¾ô §À¡ýÈ þÂøÀ¢¨Éô ¦ÀüÈ «Æ¸¢Â §¾¡û¸¨Ç ¯¨¼Â þáÁý, ÅÕõ ¦À¡Õ¨Ç ¬Ã¡öóÐ «È¢óÐ ÜÚõ ¬üÈø ¦ÀüÈ þÄìÌÁ½ý ÜȢ ¯Ú¾¢ ¦Á¡Æ¢¸¨Ç Áɾ¢ø ²üÚ즸¡ûÇ¡Áø , ÓØ ºó¾¢ÃÛìÌ ¯Å¨Á¡¸ «¨Áó¾, ¾¢ÕÓ¸ò¨¾ ¯¨¼Â º£¨¾Â¢ÉÐ º¢Éò¨¾ ¿¢¨ÉòÐ, º¢óàÃÓõ ÀÅÆÓõ §À¡Äî º¢Åó¾ ¾ÉРš¢§Ä Òýɨ¸ ¦À¡Õó¾¢ÂÅÉ¡ö, «ó¾ Á¡¨Éò ¦¾¡¼÷óÐ ¦ºøÄÄ¡É¡ý.

64. Á¢¾¢ò¾Ð ¦ÁøÄ ¦ÁøÄ ¦ÅÈ¢ò¾Ð ¦ÅÕÅ¢ Á£¾¢ø
̾¢ò¾Ð ¦ºÅ¢¨Â ¿£ðÊì ÌÃÀ¾õ ¯Ãò¨¾ì ÜðÊ
¯¾¢òÐ ±Øõ °¨¾ ¯ûÇõ ±ýÚ þ¨Å ¯ÕÅî ¦ºøÖõ
¸¾¢ìÌ ´Õ ¸ÄÅ¢ §Å§È ¸¡ðÎÅÐ ´ò¾Ð «ý§È.

«ó¾ Á¡ÂÁ¡ý ¦ÁøÄ ¦ÁøÄ ¿¢Äò¾¢ø «Ê¨ÅòÐ Á¢¾¢òÐ ¿¼ó¾Ð; ¦ÅÈ¢òÐ À¡÷ò¾Ð. ÀÂí¦¸¡ñÎ §Á§Ä ¾¡Å¢ì ̾¢ò¾Ð; ¸¡Ð¸¨Ç ¦¿È¢òÐ ¿£ðÊ즸¡ñÎ , ÌÇõÒ¸¨Ç ¯¨¼Â ¸¡ø¸¨Ç Á¡÷À¢ø ÀÎÁ¡Ú ¦ºöЦ¸¡ñÎ §Á§Ä ±ØõÀ¢ì ̾¢òÐô À¢ýÒ, ¾¢Ë¦ÃýÚ §¾¡ýÈ¢ Å£Íõ ¸¡üÚõ, ÁÉÓõ ±ýÛõ þ¨Å ¾¨¼Â¢ýÈ¢ Å¢¨ÃÅ¡¸ ¦ºøÖõ µð¼ò¾¢üÌ ´Õ Ò¾¢Â Ũ¸¨Âò ¾¡ý ¸¡ðÊì ¸üÚì ¦¸¡ÎôÀ¨¾ §À¡Ä ¾¢¸úó¾Ð.

65. ¿£ðÊÉ¡ý ¯Ä¸õ ãýÚõ ¿¢ýÚ ±ÎòÐ «Çó¾ À¡¾õ
Á£ðÎõ ¾¡û ¿£ð¼üÌ «õÁ¡ §ÅÚõ µ÷ «ñ¼õ ¯ñ§¼¡
µðÊÉ¡ý ¦¾¡¼÷ó¾ ¾ý¨É ´Æ¢× «È ¿¢¨Èó¾ ¾ý¨Á
¸¡ðÊÉ¡ý «ýÈ¢ «ýÚ «ì ¸Î¨Á ¡÷ ¸½¢ì¸üÀ¡Ä¡÷.

þáÁý, ÓýÒ ¾¢Ã¢Å¢ì¸¢ÃÁÉ¡¸¢ Å¢ÍÅåÀõ ±ÎòÐ ¿¢ýÚ, ãýÚ ¯Ä¸í¸¨ÇÔõ «Çó¾ ¾ý ¾¢ÕÅʸ¨Ç, þô§À¡Ð Á¡¨Éô À¢ý ¦¾¡¼Ã, ¿£ðÊ ¿¼ó¾¡ý. ÁÚÀÊÔõ ¾¢ÕÅʨ ¿£ðÊ ¿¼ôÀ¾üÌ þó¾ «ñ¼ò¨¾ ¾Å¢Ã §Å§È¡÷ «ñ¼õ ¯ûǧ¾¡? þø¨Ä.

«ò¾¨¸Â º¢ÈôÒô ¦ÀüÈ ¾¢ÕÅʸ¨Çì ¦¸¡ñÎ µÊ «ó¾ Á¡¨Éò ÐÃò¾¢É¡ý. «ùÅ¡Ú Á¡¨Éò ¦¾¡¼÷óÐ ¦ºýÚ, ¾ÉÐ þ¨¼Â£Î þøÄ¡Áø ±íÌõ ¿¢¨Èó¾¢ÕìÌõ ¾ý¨Á¨Â ¦ÅÇ¢ôÀÎò¾¢É¡ý ±ýÚ ¦º¡øŨ¾ò ¾Å¢Ã «ô§À¡Ð «Åý µÊ µð¼ò¾¢ý §Å¸ò¨¾ «ÇÅ¢ðÎ ÜȾì¸Å÷ ¡÷? ±ÅÕõ þø¨Ä.

66. ÌýÈ¢¨¼ þÅÕõ §Á¸ìÌØÅ¢¨¼ì ̾¢ìÌõ ܼî
¦ºýÈ¢Êý «¸¦Äªõ ¾¡Æ¢ý ¾£ñ¼ø ¬õ ¾¨¸¨ÁòÐ ¬Ìõ
¿¢ýȧ¾ §À¡Ä ¿£íÌõ ¿¢¾¢ÅÆ¢ §¿Âõ ¿£ðÎõ
ÁýÈø «õ §¸¡¨¾ Á¡¾÷ ÁÉõ ±Éô §À¡Â¢üÚ «õÁ¡.

«ó¾ Á¡ÂÁ¡ý, Á¨Ä¸Ä¢ø ²Úõ. «í¸¢ÕóÐ §Á¸ì Üð¼í¸Ç¢ø ÐûÇ¢ô À¡Ôõ. Å¢¼¡Ð «¨¾ «Ê¦Â¡üÈ¢î ¦ºýÈ¡ø, ¦ÅÌàÃõ Ţĸ¢ ¦ºøÖõ. ¦¾¡¼÷óÐ ¦ºøÄ¡Áø º¢È¢Ð ¾¡Á¾õ ¦ºö¾¡ø, ¨¸Â¡ø ¦¾¡¼ìÜÊ àÃò¾¢ø ¿¢üÌõ.Á£ñÎõ ¦¾¡¼÷ó¾¡ø ±ùÅÄ× Å¢¨ÃÅ¢ø ¿¢ýȧ¾¡ «ùÅÇ× Å¢¨ÃÅ¡¸ µÊô§À¡Ìõ. þùÅ¡Ú Àø§ÅÚ Å¨¸Â¢ø ¦ºøÖõ «ó¾ Á¡ý, ¬¼Å÷¸Ç¢¼õ ¬¨º ¦¸¡ûÇ¡Áø, «Å÷¸û ¾Õõ ¦À¡ÕÇ¢¼õ «ô¦À¡ÕÙ째üÀ ¬¨º ¦¸¡ûÙõ §Åº¢Â÷¸Ç¢ý ÁÉò¨¾ô §À¡Äò ¾¢¸úó¾Ð.

67. ¸¡Âõ §ÅÚ ¬¸¢ ¦ºöÔõ ¸ÕÁõ §ÅÚ ¬¸¢üÚ «ý§È
²Ô§Á ±ýÉ¢ý ÓýÉõ ±ñ½§Á þÇÅüÌ ¯ñ§¼
¬Ô§Áø ¯Ú¾ø ¦ºøÄ¡õ «Ãì¸÷ ¬ÉÅ÷¸û ¦ºö¾
Á¡Â§Á ¬Â§¾ ¿¡ý ÅÕó¾¢ÂÐ ±ýÈ¡ý ÅûÇø.

"þó¾ Á¡É¢ý ÅÊÅõ, þÂü¨¸Â¡É Á¡É¢ý ÅÊÅò¾¢ø þÕóÐ §ÅÈ¡¸ þÕó¾Ð¨¸Ð ¦ºöÔõ ¦ºÂÖõ ´Õ Á¡É¢ý ¦ºÂÄ¢ø þÕóÐ §ÅÚ À𼾡¸ ¬¸¢Å¢ð¼Ð «øÄÅ¡? þó¾ ±ñ½õ, ±ÉìÌò §¾¡ýÚžüÌ ÓýÒ þÄìÌÁ½ÛìÌò §¾¡ýÈ¢ÂÐ. þó¾ ±ñ½õ ¦À¡ÕóÐÅÐ ¬Ìõ.. þ¾¨É Óýɧà ¿¡õ ¬Ã¡öóÐ À¡÷ò¾¢Õó¾¡ø, þ¨¾ À¢ý ¦¾¡¼÷óÐ Åó¾¢Õì¸Á¡ð§¼¡õ. þùÅÇ× àÃõ µÊ ÅóÐ ¿¡ý ÅÕò¾õ «¨¼Âì ¸¡ÃÉõ, «Ãì¸÷ ±ýÀÅ÷ ¦ºö¾ Á¡¨Â§Â ¬Ìõ" ±ýÚ ÅûÇÄ¡¸¢Â þáÁý ¯ûÇò¾¢ø ¿¢¨Éò¾¡ý.

68. þáÁý «õÒ ¦ºÖò¾ Á¡Ã£ºý «ÄÈ¢ Å£ú¾ø

ÀüÚÅ¡ý þÉ¢ «øÄý À¸Æ¢Â¡ø
¦ºüÚ Å¡É¢ø ¦ºÖòÐÅý ±ýÀ¨¾
ÁüÚ «õ Á¡Â «Ãì¸ý ÁÉ즸¡Ç¡
¯üÈ §Å¸ò¾¢ý ¯õÀâý µí¸¢É¡ý.

"þáÁý þÉ¢ ±ý¨É À¢Êì¸Á¡ð¼¡ý; «õ¨Àî ¦ºÖò¾¢ ±ý¨Éì ¦¸¡ýÚ §Áø ¯Ä¸òÐìÌ «ÛôÒÅ¡ý" ±ýÀ¨¾ò ¾ý Áɾ¢ø ¯½÷óÐ ¦¸¡ñ¼, «ó¾ Á¡Âõ ÅøÄ «Ãì¸ý Á¡Ã£ºý, Á¢Ìó¾ §Å¸ò§¾¡Î Å¡Éò§¾ ±ØõÀ¢î ¦ºýÈ¡ý.

69. «ì¸½ò¾¢É¢ø ³ÂÛõ ¦Åö ¾ý
ºì¸Ãò¾¢ý ¾¨¸× «Ã¢Ð ¬ÂÐ µ÷
¦ºì¸÷ §ÁÉ¢ô À¸Æ¢ ¦ºÖò¾¢É¡ý
Òì¸ §¾Âõ ÒìÌ þý ¯Â¢÷ §À¡ìÌ ±É¡.

«§¾ ºÁÂò¾¢ø þáÁÛõ, ¾ý À¨¸Å÷ìÌì ¦¸¡Î¨ÁÂ¡É ºìáԾò¨¾ô§À¡Ä, ¡áÖõ ¾Îì¸ ÓÊ¡¾ ´Õ ¦ºó¿¢È «õ¨À, "þó¾ Á¡ý ±ó¾ þ¼òÐìÌ ¦ºø¸¢È§¾¡ «ó¾ þ¼òÐìÌ ¦ºýÚ þ¾ÉÐ þɢ ¯Â¢¨Ã ¿£ì̸" ±ýÚ ¬¨½Â¢ðÎ, ¦ºÖò¾¢É¡ý.

70. ¦¿ðʨÄî ºÃõ Åïº¨É ¦¿ïÍÈô
Àð¼Ð «ô¦À¡ØÐ ÀÌ Å¡Â¢Ä¡ø
«ð¼ ¾¢ì¸¢Ûõ «ôÒÈõ Ò¸
Å¢ðÎ «¨ÆòÐ ´Õ ÌýÚ ±É Å£úó¾Éý.

þ¨Ä ÅÊÅõ ¦¸¡ñ¼ «ó¾ ¿£ñ¼ «õÒ Åïº¨É ¯¨¼Â Á¡Ã£ºÉÐ þ¾Âò¾¢ø ¦À¡Õó¾ô À¡öó¾Ð. «ô¦À¡ØÐ «ó¾ Á¡Ã£ºý ¾óРš¢ɡø, ±ðÎ ¾¢ì̸ǢÖõ, «¾üÌ «ôÀ¡Öõ ¦ºýÚ ´Ä¢ìÌõÀÊ, º£¾¡! µ, þÄìÌÁ½¡' ±ýÚ þáÁÉÐ ÌÃÄ¢ø ´Ä¢ò¾ ´Ä¢¨Â ¦ÅǢ¢ðÎ, ´Õ Á¨Ä¨Âô §À¡Äò ¾ÉÐ Í ÅÊÅò¾¢ø ¸£§Æ Å¢Øó¾¡ý.

71. þáÁý À÷½ º¡¨ÄìÌ Å¢¨Ã¾ø.

¦ÅöÂÅý ¾ý ¯Õ¦Å¡Î Å£ú¾Öõ
¦ºöÂÐ «ýÚ ±Éî ¦ºôÀ¢Â ¾õÀ¢¨Â
³Âý ÅøÄý ±ý ¬÷ ¯Â¢÷ ÅøÄý ¿¡ý
¯ö Åó¾Åý ÅøÄý ±ýÚ ¯ýɢɡý.

¦¸¡ÊÂÅÉ¡É Á¡Ã£ºý ¾ý ¦º¡ó¾ ÅÊÅò§¾¡Î Å¢ØŨ¾ ¸ñ¼×¼§É , þáÁý "þó¾ Á¡ý ¯ñ¨Á¡ÉÐ «ýÚ" ±ýÚ «ô§À¡§¾ «È¢óÐ ¦º¡ýÉ ¾õÀ¢ þÄìÌÁ½¨É, "±ý «ôÀý ÅøÄÅý ! ±ÉìÌ «Ã¢Â ¯Â¢¨Ãô ¦À¡ýÈÅý, ÅøÄÅý! ¿¡ý Å¡ØõÀÊ ±ÉìÌô À¢ý§É À¢Èó¾Åý ÅøÄÅý!" ±ýÚ ±ñ½¢ À¡Ã¡ðÊÉ¡ý.

72. ¬¨º ¿£Çò¾ «ÃüÈ¢Éý Å£úó¾ «ó
¿£ºý §ÁÉ¢¨Â ¿¢ýÚ ¯È §¿¡ì¸¢É¡ý
Á¡Í þø Á¡ ¾Åý §ÅûŢ¢ø Åó¾ Á¡
ãº§É þÅý ±ýÀÐõ §¾È¢É¡ý.

¾¢ì̸Ǣý ±ø¨Ä Ũâ§Ä §¸ðÌõÀÊ ¸¾È¢ì¦¸¡ñΠţúó¾ «ì¸£úÁ¸É¡É Á¡Ã£ºÉÐ ¯¼õ¨À, «¾ý «Õ§¸ ¿¢ýÚ þáÁý À¡÷ò¾¡ý.' "ÌüÈÁüÈ ¦ÀÕõ ¾ÅÓ¨¼Â Å¢ÍÅ¡Á¢ò¾¢ÃÉÐ §ÅûŢ¢ý§À¡Ð Åó¾ Á¡Ã£º§É þÅý" ±ýÀ¨¾Ôõ ¦¾Ã¢óЦ¸¡ñ¼¡ý.

73. Ò¨Æò¾ Å¡Ç¢ ¯Ãõ Ò¸ ÒûÇ¢§Â¡ý
þ¨Æò¾ Á¡¨Â¢ý ±ý ÌÃÄ¡ø ±ÎòÐ
«¨Æò¾Ð ¯ñÎ «Ð §¸ðÎ «Â÷× ±öÐÁ¡ø
Á¨Æì ¸ñ ²¨Æ ±ýÚ ¯ûÇõ ÅÕó¾¢É¡ý.

'ÅÕòÐõ þÂøÒ¨¼Â «õÒ ¾ý Á¡÷À¢ø ѨÆó¾×¼ý þó¾ «üÀý, ¾ýÉ¢¼õ ¦À¡Õó¾¢Â Á¡¨Â¡ø, ±ÉÐ ÌèÄô §À¡ýÈ ÌÃø¦¸¡ñÎ º£¨¾¨ÂÔõ, þÄìÌÁɨÉÔõ «¨Æò¾ ¾ý¨Á ¯ñÎ «øÄÅ¡? «ìÌèÄì §¸ðÎ, Á¨Æ §À¡Äì ÌÇ¢÷ó¾ ¸ñ¸¨Ç ¯¨¼Â- §À¨¾ì ̽õ ¦ÀüÈ º£¨¾ ÅÕò¾õ ¦¸¡ûÅ¡§Ç!" ±ýÚ ¿¢¨ÉòÐ þáÁý ÁÉõ ÅÕó¾¢É¡ý.

74. Á¡üÈõ þýÉÐ Á¡Â Á¡Ã£ºý ±ýÚ
²üÈ ¸¡¨Ä¢ý Óý ¯½÷󾾡ý ±ÉÐ
¬üÈø §¾Õõ «È¢Å¢Éý ¬¾Ä¡ø
§¾üÚÁ¡ø þ¨Ç§Â¡ý ±Éò §¾È¢É¡ý.

þÄìÌÁ½ý , Á¡¨É ±¾¢§Ã À¡÷ò¾§À¡§¾ 'Á¡¨Â ¯¨¼Â Á¡Ã£º§É þó¾ Á¡ý' ±ýÚ «È¢ó¾Åý. «Åý ±ÉÐ ¬üȨÄò ¦¾Ç¢Å¡¸ «È¢Ôõ «È¢×¨¼ÂÅý. ¬¨¸Â¡ø ' þô§À¡Ð §¸ð¼ ÌèÄì ÌÈ¢òÐ ÅÕó¾ §Åñ¼¡õ ' ±ýÚ º£¨¾¨Â §¾üÚÅ¡ý ±ýÚ ¿¢¨ÉòÐ þáÁý ¬Ú¾ø «¨¼ó¾¡ý.

75. Á¡ûŧ¾ ¦À¡Õû ¬¸ Åó¾¡ý «Åý
ÝúÅÐ µ÷ ¦À¡Õû ¯ñÎ þÅý ¦º¡øĢɡø
ãûÅÐ ²¾õ «Ð ÓÊ¡ÓÉõ
Á£ûŧ¾ ¿Äý ±ýÚ «Åý Á£ñ¼¡ý.

"þó¾ Á¡Ã£ºý þÈôÀ¨¾§Â þÄðº¢ÂÁ¡¸ì ¦¸¡ñÎ Åó¾Åý «øÄý. þÅý ÜȢ ¦º¡ü¸Ç¢É¡ø ²üÀ¼ìÜÊ ´Õ ¾£íÌ ¯ûÇÐ. «ó¾ ¾£íÌ ÅóÐ §º÷óÐ §¸Î ¦ºöžüÌ Óýɧà ¿¡ý À÷½ º¡¨ÄìÌ ¾¢ÕõÀ¢ ¦ºøŧ¾ ¿øÄÐ' ±ýÚ ¿¢¨Éò¾ þáÁý, «¾ýÀÊ ¾¢ÕõÀ¢É¡ý.

Á¡Ã£ºý Ũ¾ôÀ¼Äõ ÓüÚõ.

[bb]

From Harikrishnan's series:

The Turning Point II

It was just another day for them at Panchavati, until the arrival of the golden deer. Ravana, who had not even seen Janaki till that time and for some more time to come, had chalked out a very detailed plan and had precisely predicted the events that would follow when Marica appeared there assuming that form. This is what he tells Marica when he details his plan:

“Hear now about the role which has to be played by you by way of help (to me) at my instance. Assuming the form of a golden deer freckled with silvery spots, roam you at the hermitage of the said Rama before Sita. Beholding you in the form of a deer, Sita for her part will undoubtedly say to her lord and Lakshmana, “Let it be captured.” Then, rid of all hindrance at their exit, I shall for my part bear Sita away in solitude, as does Rahu take away the splendour of the moon. After that with my inner mind satisfied (as a result of my object having been accomplished) I shall with ease confidently strike at Rama emaciated trough the abduction of his wife.” (Valmiki Ramayana, Aranya Kanda, Canto XXXVI, Sloka 17 - 21)

An excellent display of his understanding of the human mind and its frailties! He has a special eye for spotting weaknesses and making them work in his favour. Marica has a special talent for assuming the form of a deer and this is evidenced by his assuming this form earlier, when he came to know Rama was living in the Dandakaranya. He was impelled by the desire for taking revenge by killing Rama, who had earlier killed his mother Tataka and his brother Subahu.

He assumed the form a deer and along with two of his friends, who had assumed the same form as well, tried to attack Rama with their sharp horns. Rama killed the other two with his quick arrows. ‘I slipped away and escaped his arrows,’ he tells Ravana. “Belittling Rama, who had retired to the forest, even though he was possessed of great might, thinking that he was an ascetic (only), and recalling my past enmity (with him), I rushed towards him, highly enraged, in the form of a sharp-horned deer, thoughtlessly seeking to kill him, remembering as I did the blow dealt by him. Stretching at full length his very mighty bow, three sharp arrows - which were capable of putting an end to the enemy and which sped like Garuda (the king of birds and the carrier of Lord Vishnu) and the wind - were let loose by him. All those three most dreadful and flat-knobbed arrows, which shone brightly as lightning, and were fond of sucking-blood – sped (towards) me together. Knowing as I did the prowess of Rama and having seen the peril (to which I had exposed myself) on a previous occasion, I slipped away, cunning as I was, and was thereby saved (since the arrow of Rama never hits a fugitive) while both those ogres were killed.” (Valmiki Ramayana, Aranya Kanda, Canto XXXIX, Sloka 9 - 13)

It was the second lease of life for Marica. The arrow of Rama had killed his brother Subahu, while guarding the penance of Viswamitra and had merely thrown him into the sea, leaving him unharmed. As Marica himself would put it, “By him was discharged at that time a sharp arrow capable of destroying the enemy. Struck by it I was cast into the sea, which was a hundred Yojanas (800 miles) long.” (Ibid, Canto XXXVIII, Sloka 19) Marica was allowed to live his days, just for achieving one purpose. And the second time when he tried to attack Rama, he was spared once again, most obviously to serve the obvious purpose.

Spared for the second time, he was leading the life of an ascetic very peacefully. Ravana who had decided on his plan recalled his talent for assuming the form of a deer and this time he had a different assignment - he was supposed to assume the form of a golden deer, just to ensure that this deer is something very special and irresistible.

[bb]

From Harikrishnan's series:

The Turning Point II

It was just another day for them at Panchavati, until the arrival of the golden deer. Ravana, who had not even seen Janaki till that time and for some more time to come, had chalked out a very detailed plan and had precisely predicted the events that would follow when Marica appeared there assuming that form. This is what he tells Marica when he details his plan:

“Hear now about the role which has to be played by you by way of help (to me) at my instance. Assuming the form of a golden deer freckled with silvery spots, roam you at the hermitage of the said Rama before Sita. Beholding you in the form of a deer, Sita for her part will undoubtedly say to her lord and Lakshmana, “Let it be captured.” Then, rid of all hindrance at their exit, I shall for my part bear Sita away in solitude, as does Rahu take away the splendour of the moon. After that with my inner mind satisfied (as a result of my object having been accomplished) I shall with ease confidently strike at Rama emaciated trough the abduction of his wife.” (Valmiki Ramayana, Aranya Kanda, Canto XXXVI, Sloka 17 - 21)

An excellent display of his understanding of the human mind and its frailties! He has a special eye for spotting weaknesses and making them work in his favour. Marica has a special talent for assuming the form of a deer and this is evidenced by his assuming this form earlier, when he came to know Rama was living in the Dandakaranya. He was impelled by the desire for taking revenge by killing Rama, who had earlier killed his mother Tataka and his brother Subahu.

He assumed the form a deer and along with two of his friends, who had assumed the same form as well, tried to attack Rama with their sharp horns. Rama killed the other two with his quick arrows. ‘I slipped away and escaped his arrows,’ he tells Ravana. “Belittling Rama, who had retired to the forest, even though he was possessed of great might, thinking that he was an ascetic (only), and recalling my past enmity (with him), I rushed towards him, highly enraged, in the form of a sharp-horned deer, thoughtlessly seeking to kill him, remembering as I did the blow dealt by him. Stretching at full length his very mighty bow, three sharp arrows - which were capable of putting an end to the enemy and which sped like Garuda (the king of birds and the carrier of Lord Vishnu) and the wind - were let loose by him. All those three most dreadful and flat-knobbed arrows, which shone brightly as lightning, and were fond of sucking-blood – sped (towards) me together. Knowing as I did the prowess of Rama and having seen the peril (to which I had exposed myself) on a previous occasion, I slipped away, cunning as I was, and was thereby saved (since the arrow of Rama never hits a fugitive) while both those ogres were killed.” (Valmiki Ramayana, Aranya Kanda, Canto XXXIX, Sloka 9 - 13)

It was the second lease of life for Marica. The arrow of Rama had killed his brother Subahu, while guarding the penance of Viswamitra and had merely thrown him into the sea, leaving him unharmed. As Marica himself would put it, “By him was discharged at that time a sharp arrow capable of destroying the enemy. Struck by it I was cast into the sea, which was a hundred Yojanas (800 miles) long.” (Ibid, Canto XXXVIII, Sloka 19) Marica was allowed to live his days, just for achieving one purpose. And the second time when he tried to attack Rama, he was spared once again, most obviously to serve the obvious purpose.

Spared for the second time, he was leading the life of an ascetic very peacefully. Ravana who had decided on his plan recalled his talent for assuming the form of a deer and this time he had a different assignment - he was supposed to assume the form of a golden deer, just to ensure that this deer is something very special and irresistible.

[bb]

Naughty dear or knotty deer?

The Poets take delight in presenting a vivid description of the golden deer. Naturally so. One has in the first instance to understand why Janaki fell in love with this particular deer when there were thousands of deer roaming about in the jungle. They were there in the jungle for more than ten years now and it is not unusual that they come across a deer that arrests the attention of Vaidehi. If she has to be enticed, if she has to be enraptured, if she has to take a fancy for it, it has of necessity to be unusual. It has to be so unusual and extraordinary that it captures her attention right at the first sight. Here is how Valmiki describes the deer:

“Assuming a remarkable form presenting a wonderful sight, the aforesaid ogre for his part turned in an instant into a most attractive deer, with the tips of its horns bright as sapphire, its head partly white and partly dark, the upper part of its snout bearing the hue of a red lotus and the lower that of a blue lotus, its ears shining as sapphire and resembling a blue lotus, its neck slightly projecting upwards, its belly having the hue of a sapphire, its flanks pale as a Madhuka flower and the animal (itself) shining brightly like the filaments of a lotus, its hoofs resembling a cat’s-eye gem and body well-compacted with slender legs and looking splendid with its tail resembling the rainbow at the top and wearing a charming glossy skin freckled with a number of jewel-like spots. (Valmiki Ramayana, Aranya Kanda, Canto XLII, Sloka 14 - 19)

Kamban gives a similar description. ‘aaNip ponnin aagiyadhu,’ coos an excited Sita. Its body is made of pure gold. ‘aai kadhiraal sENil sudargindradhu thiN sevi kaal’ Its earlobes, legs and its entire body glow in sunshine. You are able to see the glow even from a very long distance. ‘maaNikka mayththu oru maan uLadhaal.’ There is deer (in the jungle out there) that shines like a solid piece of gem-studded gold. ‘kaaNath thagum enak kai thozhudhaaL.’ ‘It deserves to be seen my Lord! Come this way with me O please!’ So saying, she joined her palms pleadingly, may be with the child’s fear of being subjected to rejection.

A gem-studded golden deer! That may sound odd and weird. But it is not so. Only, one has to understand the Poet’s ways of looking at things around him. His instantaneous joy leads him to utterances ineffable. Translated in everyday language, what the Poets describe would mean this. The skin of the deer was glowing as if light radiated from within its body. The spots on its body were not only silvery; but had different colours that reflected or absorbed light differently so that every spot dazzled differently, like diamonds.

Valmiki adds a touch of reality. The deer (we call it deer more out of habit; because it has been referred to as ‘golden deer’ for a very long time. It is more appropriate to call it a stag) came very close to the hermitage, was sighted by Sita, and it disappeared immediately, to reappear after about an hour or so, making her ache for another glimpse of it. It reappeared, went round her in circles while she was in the garden around the hermitage and ran away to join the herds of other deer. With an amazing kind of understanding of the strong intuition that animals posses, Valmiki adds this: “(Nay) while coming near Sita he spun round describing a number of circles. Gazing on him from a distance, approaching him and snuffing him, all the other deer that haunted that forest scattered in all directions.” (Ibid, Sloka 2

Other deer came closed to him, sniffed him, understood the difference and ran away. ‘Marica had great difficulty that day,’ Valmiki jokes, ‘of restraining himself from killing those deer that came so close to him, as he was fond of deer-meat.’

But that sense of reality harms the drama. It betrays the golden deer and has a cause for suspicion inherent in it. If not Sita, Rama might suspect and would want to know the reason why other deer are running away from it. He changed the picture slightly. ‘kalai maan mudhal aayina kaNda elaam,’ other herds of stag and deer saw this one ‘alai maan urum aasayil vandhanavaal,’ their minds were filled with the desire for the golden deer and came running to it, flocking it all around.

[bb]

Naughty dear or knotty deer?

The Poets take delight in presenting a vivid description of the golden deer. Naturally so. One has in the first instance to understand why Janaki fell in love with this particular deer when there were thousands of deer roaming about in the jungle. They were there in the jungle for more than ten years now and it is not unusual that they come across a deer that arrests the attention of Vaidehi. If she has to be enticed, if she has to be enraptured, if she has to take a fancy for it, it has of necessity to be unusual. It has to be so unusual and extraordinary that it captures her attention right at the first sight. Here is how Valmiki describes the deer:

“Assuming a remarkable form presenting a wonderful sight, the aforesaid ogre for his part turned in an instant into a most attractive deer, with the tips of its horns bright as sapphire, its head partly white and partly dark, the upper part of its snout bearing the hue of a red lotus and the lower that of a blue lotus, its ears shining as sapphire and resembling a blue lotus, its neck slightly projecting upwards, its belly having the hue of a sapphire, its flanks pale as a Madhuka flower and the animal (itself) shining brightly like the filaments of a lotus, its hoofs resembling a cat’s-eye gem and body well-compacted with slender legs and looking splendid with its tail resembling the rainbow at the top and wearing a charming glossy skin freckled with a number of jewel-like spots. (Valmiki Ramayana, Aranya Kanda, Canto XLII, Sloka 14 - 19)

Kamban gives a similar description. ‘aaNip ponnin aagiyadhu,’ coos an excited Sita. Its body is made of pure gold. ‘aai kadhiraal sENil sudargindradhu thiN sevi kaal’ Its earlobes, legs and its entire body glow in sunshine. You are able to see the glow even from a very long distance. ‘maaNikka mayththu oru maan uLadhaal.’ There is deer (in the jungle out there) that shines like a solid piece of gem-studded gold. ‘kaaNath thagum enak kai thozhudhaaL.’ ‘It deserves to be seen my Lord! Come this way with me O please!’ So saying, she joined her palms pleadingly, may be with the child’s fear of being subjected to rejection.

A gem-studded golden deer! That may sound odd and weird. But it is not so. Only, one has to understand the Poet’s ways of looking at things around him. His instantaneous joy leads him to utterances ineffable. Translated in everyday language, what the Poets describe would mean this. The skin of the deer was glowing as if light radiated from within its body. The spots on its body were not only silvery; but had different colours that reflected or absorbed light differently so that every spot dazzled differently, like diamonds.

Valmiki adds a touch of reality. The deer (we call it deer more out of habit; because it has been referred to as ‘golden deer’ for a very long time. It is more appropriate to call it a stag) came very close to the hermitage, was sighted by Sita, and it disappeared immediately, to reappear after about an hour or so, making her ache for another glimpse of it. It reappeared, went round her in circles while she was in the garden around the hermitage and ran away to join the herds of other deer. With an amazing kind of understanding of the strong intuition that animals posses, Valmiki adds this: “(Nay) while coming near Sita he spun round describing a number of circles. Gazing on him from a distance, approaching him and snuffing him, all the other deer that haunted that forest scattered in all directions.” (Ibid, Sloka 2

Other deer came closed to him, sniffed him, understood the difference and ran away. ‘Marica had great difficulty that day,’ Valmiki jokes, ‘of restraining himself from killing those deer that came so close to him, as he was fond of deer-meat.’

But that sense of reality harms the drama. It betrays the golden deer and has a cause for suspicion inherent in it. If not Sita, Rama might suspect and would want to know the reason why other deer are running away from it. He changed the picture slightly. ‘kalai maan mudhal aayina kaNda elaam,’ other herds of stag and deer saw this one ‘alai maan urum aasayil vandhanavaal,’ their minds were filled with the desire for the golden deer and came running to it, flocking it all around.

[bb]

Too happy in thy happiness

If the reader would recall, Sita has a special liking for pet animals and birds. ‘yaanudaip pon nirap pUvayum kiLiyum pOtrumin enna matru engayarukku iyambuvaai,’ ask my sisters - Urmila, Mandavi and Srutakirti - to take care of my parrot and mynah. This was the message that she sent back home to her sisters when Sumantra asks for her messages to her sisters. Her parrot and mynah were uppermost in her mind more than anything else.

She became the child that she is once again. She was as joyous as a child on seeing the deer. She is actually overtaken by euphoria. She summoned her Lord and Lakshmana immediately to have a look at the animal that had stolen her heart. “Come along, come soon my lord, with your younger brother (Lakshmana)!’ Calling again and again (as above) she looked intently on the deer once more.” (Valmiki Ramayana, Aranya Kanda, Canto XLIII, Sloka 3)

Applying a bit of transactional analysis, one can very easily see that Janaki is in her child-state. Her joy is contagious and spreads quickly to the mind of Rama. He is impressed by the deer, no doubt. But what made him happy was to see his beloved wife in an absolute state of ecstasy. As Keats would put it in his Ode on a Nightingale, it was nothing but “being too happy in thy happiness.”

She has accompanied him to the forest out of her own will, love and affection. She has so joyfully accepted the difficulties of the life in forest. For a queen like her, it was not that easy to get adjusted to the changed environment; but she did not complain on a single occasion all these ten years and more. Time had drifted like a dream in her company, though they did not lead the regular life of a couple in the everyday sense of the word. They followed the Dharma of the householder; but they did not lead the life of a couple, in the physical sense, though love abounded in their minds aplenty.

Rama was charmed by her joy. He knew that she would want him to capture the deer. He knew very well that in her heart, Sita would nurse tender feelings for the animal. He knew what she would ask of him the very next moment. His mind was getting ready for the task that his love would set for him.

But Lakshmana, who was not at all affected by what was going on, retained his intellect, very quickly came to the right conclusion, and pronounced his judgment.

“Seized with suspicion to see it, Lakshmana for his part observed as follows: - I conclude this deer to be the same as that ogre, Marica. Hunting game in the forest with delight, many kings, O Rama, have been killed by assuming a deceptive form by this sinful ogre, who is capable of assuming any form at will. This effulgent form of a deer assumed by him, O tiger among men, is a hoax on the part of the ogre - who is well-versed in conjuring tricks - and is much like a magic show. To be sure no such deer freckled with jewel-like spots exists on the face of the earth, O scion of Raghu! It is surely a phantom, O ruler of the globe; there is no doubt about it.” (Ibid, Sloka 5 -

‘I know for certain that this is none other than Marica,’ says Lakshmana. He is able to see through the conjuring trick played by the ogre, right at the very beginning.

Now, Rama is pulled in opposite directions for the very first time. On the one side, his better half is bubbling with happiness. This happiness is avalanching on him. She appeals to his heart and he has no mind to disappoint her. On the other side, his brother whose feet are planted firmly in wisdom appeals to his intellect. through the trick and pronounces his judgment.

Rama is left to perform the art of balancing between the heart and the brain.

[bb]

Too happy in thy happiness

If the reader would recall, Sita has a special liking for pet animals and birds. ‘yaanudaip pon nirap pUvayum kiLiyum pOtrumin enna matru engayarukku iyambuvaai,’ ask my sisters - Urmila, Mandavi and Srutakirti - to take care of my parrot and mynah. This was the message that she sent back home to her sisters when Sumantra asks for her messages to her sisters. Her parrot and mynah were uppermost in her mind more than anything else.

She became the child that she is once again. She was as joyous as a child on seeing the deer. She is actually overtaken by euphoria. She summoned her Lord and Lakshmana immediately to have a look at the animal that had stolen her heart. “Come along, come soon my lord, with your younger brother (Lakshmana)!’ Calling again and again (as above) she looked intently on the deer once more.” (Valmiki Ramayana, Aranya Kanda, Canto XLIII, Sloka 3)

Applying a bit of transactional analysis, one can very easily see that Janaki is in her child-state. Her joy is contagious and spreads quickly to the mind of Rama. He is impressed by the deer, no doubt. But what made him happy was to see his beloved wife in an absolute state of ecstasy. As Keats would put it in his Ode on a Nightingale, it was nothing but “being too happy in thy happiness.”

She has accompanied him to the forest out of her own will, love and affection. She has so joyfully accepted the difficulties of the life in forest. For a queen like her, it was not that easy to get adjusted to the changed environment; but she did not complain on a single occasion all these ten years and more. Time had drifted like a dream in her company, though they did not lead the regular life of a couple in the everyday sense of the word. They followed the Dharma of the householder; but they did not lead the life of a couple, in the physical sense, though love abounded in their minds aplenty.

Rama was charmed by her joy. He knew that she would want him to capture the deer. He knew very well that in her heart, Sita would nurse tender feelings for the animal. He knew what she would ask of him the very next moment. His mind was getting ready for the task that his love would set for him.

But Lakshmana, who was not at all affected by what was going on, retained his intellect, very quickly came to the right conclusion, and pronounced his judgment.

“Seized with suspicion to see it, Lakshmana for his part observed as follows: - I conclude this deer to be the same as that ogre, Marica. Hunting game in the forest with delight, many kings, O Rama, have been killed by assuming a deceptive form by this sinful ogre, who is capable of assuming any form at will. This effulgent form of a deer assumed by him, O tiger among men, is a hoax on the part of the ogre - who is well-versed in conjuring tricks - and is much like a magic show. To be sure no such deer freckled with jewel-like spots exists on the face of the earth, O scion of Raghu! It is surely a phantom, O ruler of the globe; there is no doubt about it.” (Ibid, Sloka 5 -

‘I know for certain that this is none other than Marica,’ says Lakshmana. He is able to see through the conjuring trick played by the ogre, right at the very beginning.

Now, Rama is pulled in opposite directions for the very first time. On the one side, his better half is bubbling with happiness. This happiness is avalanching on him. She appeals to his heart and he has no mind to disappoint her. On the other side, his brother whose feet are planted firmly in wisdom appeals to his intellect. through the trick and pronounces his judgment.

Rama is left to perform the art of balancing between the heart and the brain.

[B.Balaji]

73 ÌÈ¢ôÒ

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[aanssell25]

Sorry Friends i m unable to read this languages.Plz help me out
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hi , this is aanssell25, have nice day, take care.

[dagwood255]

Not able to read postings in Tamil. I am visiting for the first time.
Pl guide me.
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